Deborah Kerr And The Blimp

I first featured the late Deborah Kerr a year ago, in a scene from Michael Powell’s Black Narcissus. Prior to that, at age 21, Kerr appeared in Powell’s The Life And Death of Colonel Blimp. This is a movie you may not have even heard of, let alone ever seen.

Following a Michael Powell movie demands a lot of concentration; not because the stories aren’t told well, but because they’re so intelligently made, deliberately paced, and densely packed. I say this because I’m providing 15 minutes of scenes from Colonel Blimp, and I daresay you may consider them to be tough going, perhaps even boring. But if for no other reason than seeing a young and luminous Deborah Kerr, I think this is worth watching.

Kerr plays three different women of the same age, appearing at various points in time over a period of decades, while “Colonel Blimp” ages. I added transitions at the beginning and end of a scene, at 4:50 and 11:30, that may look like they’re in the original film, but they’re not. I let this scene play out because I want you to see Anton Walbrook’s impassioned speech against Nazism. Keep in mind this movie was made in England during World War 2, long before the outcome was certain, and Walbrook himself had escaped persecution in Nazi Germany for being homosexual.
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More Remembering Deborah Kerr

Here’s some more of From Here To Eternity — the first scene where Deborah Kerr and Burt Lancaster’s characters meet, and their rendezvous before the beach scene.

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This clip includes the famous scene with George (Superman) Reeves, that was highlighted in the movie Hollywoodland. At 6 feet, 1 inch, Burt Lancaster wasn’t a small man, so as you can see, Reeves was well built himself.

George Reeves and Burt Lancaster

Remembering Deborah Kerr

Deborah Kerr is gone. Kerr, one of the great beauties of all time in my opinion, was perhaps the most subtle and refined actress ever to gain wide acceptance in America.

Today, Kerr seems to be remembered more for From Here to Eternity than for The King And I; which is, I think, as it should be. Here are nine minutes from Eternity that I’ve spliced together. In subject matter, dialog, and presentation, this is truly outstanding adult material, in the proper sense of the term. It just doesn’t get any better than this, folks.
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Holding Pattern

I’m posting this solely for the purpose of posting something today. I’m busy reading the Schulz biography among other things and, yes, I know Colbert has his faux presidential bid, having first watched his pre-announcement on Wednesday’s Daily Show.

‘Schulz and Peanuts’ by David Michaelis

'Schulz and Peanuts' by David Michaelis

Well, the book is out, and I didn’t wait till Christmas. Don’t know when I’ll have a chance to read it from start to finish, but I have it.

Again I express my respect for the family of Charles Schulz, and their honest and understandable objections, complaints and concerns about this book; but having said that, it’s obvious from even a quick glance that it contains much more basic information than I have ever read before. For example …

Charles and Joyce Schulz
Charles and Joyce

(p. 223) In 1948, the nineteen-year-old Joyce had run off to New Mexico, fallen in love with a cowboy, married, gotten pregnant, been abandoned by her husband, and come home to Minneapolis to have the child — all within 20 months. When Sparky met her at a party, Joyce was twenty-two years old, divorced, with a baby and a curfew. Pulled away from a pretty face was her strawberry-blond hair.

He found her doing the dishes at her sister’s kitchen sink, and came over to help.

I strongly encourage you to read Nat Gertler’s commentary at The AAUGH! Blog. A couple more items about the book worth reading are a review in The New Yorker by author John Updike, and Newsweek’s take on the thing.

Joe Sinnott Interview — October 15, 1977

Joe Sinnott, October 16, 1926-June 25, 2020

Joe Sinnott is one of the greatest comic book inkers of all time. Actually, he’s the greatest. No finer hand has ever held pen and brush. I’ve been a fan of Joe’s work for over 40 years. Thirty years ago, when Joe made an appearance at a Boston comic book convention, I called him “a God of the industry,” and he still is.

Being a radio announcer at the time, I had access to a good quality portable tape recorder, making it possible for me to record an impromptu interview with Joe and a group of enthusiastic fans, including my best buddy, Dennis F. Rogers. Out of half an hour of tape I’ve spliced together a couple of clips.

In this part of the discussion, Joe Sinnott comments on comic books. That’s me asking the first question, sounding overly hyperbolic and just plain hyper.

And in this segment, Joe talks about being a lifelong fan of Bing Crosby, who had died the day before this recording was made! That’s Dennis asking Joe about his hobby.

In retrospect, Dennis and I have always kicked ourselves for not spending the entire time talking with Joe about Bing, because we were plenty interested in the subject, and it was what he wanted to talk about. In recognition of Joe Sinnott, Der Bingle fan, here is Bing from one of Joe’s favorite periods, the early 30’s, singing “Pennies From Heaven.”

Additional Note: This recording of “Pennies From Heaven” came from a 1973 German LP that I own. D.F. Rogers, an amateur but highly proficient musicologist, believes this performance is most likely the original version, recorded for the Decca label on August 17, 1936.