Likin’ Lenka

It’s time for another singer who I didn’t know existed ten minutes ago, with a song I liked instantly. Lenka, from Australia. I just love this sort of song, and the sound it makes. Forget the cow bell, give me more bells! This may be the only song by Lenka I like. I don’t know yet, because it’s all I’ve heard so far.

Lenka came up on my Lily Allen channel on Pandora. I think Allen’s The Fear is a superb piece of work. It’s a perfect expression of sentiments, both sincere and ironic. It’s also an exceptional example of how essential the producer is — Greg Kurstin in this instance — to giving a recording a certain effect and feeling.

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Running off a Cliff with the Beatles

Last week, TCM showed the movie Summer Holiday, with Cliff Richard. Directed by Peter (“Bullitt”) Yates, released in early ’63 and shot on location in widescreen and color, Summer Holiday is cute and silly fun. It has inspired bits of comedy, solid songs with Cliff and the always excellent Shadows, and great production numbers, but it can’t be called a Rock and Roll movie by any stretch.

Each [Cliff Richard] film inevitably also employs the ideological underpinning of the Hollywood musical. A genre such as the musical is not just a film type; it brings with it certain spectator expectations, certain structures, codes and conventions which combine in the musical to indicate its function as, in Richard Dyer’s phrase, a ‘gospel of happiness’. A Hard Day’s Night: The British Film Guide, by Stephen Glynn, Turner Classic Movies, 2005, p.7

http://youtu.be/Gbajf_rHzys

With four healthy, fun-loving boys driving a red London double-decker bus across Europe, and picking up four pretty, spirited girls along the way, I spit up my Trader Joe’s three buck chuck wine when one of the girls suggested, “Gosh, the boys have been so good to us, we should think of a way to show them our thanks.” But Summer Holiday isn’t that sort of movie, so off to dinner they all go, where everybody dances to choreography by Herbert Ross, who later directed Petula Clark in the remake of Goodbye, Mr. Chips.

Summer Holiday has a devoted following, and I enjoyed it a lot, but what interests me the most is that the movie premiered in London in February ’63, the same month that the Beatles’ second single, Please Please Me, was released in the UK.

‘The Young Ones’ and ‘Summer Holiday’ both proved the second top box-office earner at British cinemas for 1962 and 1963 respectively, and garnered much critical praise. By the time ‘Wonderful Life’ was premiered at the Empire Theatre, Leicester Square, on 2 July 1964, however, the spontaneity and freshness was judged to have gone. Ibid.

A Hard Day’s Night premiered at the Pavilion Theatre in London only four days after Wonderful Life, to universally rapturous critical praise and financial success.

What precipitated the sudden fall from grace? In truth, Cliff’s time had passed; there were new kids on the block and the boy from Lucknow, India, together with his traditional pop musicals, were about to be drowned out by the twist and shout emanating from Mersyside. Ibid.

I’m a Cliff Richard fan, and as I said before I really enjoyed Summer Holiday. The older I get the more I am able to appreciate things for what they are, rather than pay attention to what they are not, like that $3 Charles Shaw wine from Trader Joe’s. 😉 I feel the same way about another movie that provides a good contrast to the Beatles. In fact, it’s a Beatles movie itself, except it’s really a Bee Gees movie with Peter Frampton — Sgt. Pepper’s Lonely Heart’s Club Band. The movie is as much an artifact of its year, 1978, as Summer Holiday is representative of 1963.

http://youtu.be/bFRt5TQdQCI

Thanks to a nudge from tastewar, I watched Sgt. Pepper’s Lonely Heart’s Club Band on DVD, and if nothing else I’m not surprised the songs were produced by George Martin and engineered by Geoff Emerick, because the sound is really excellent. The story is ridiculous, but the songs are worth the visit. The Bee Gees and Frampton were huge stars when they agreed to make this movie. I don’t know if Robert Stigwood had a contract that forced them to do it, or if they simply wanted to be proxy Beatles, but the Bee Gees really nail a lot of the songs, although Frampton’s singing is a bit weak in spots.

When watching this movie it must be remembered that it was made only a few years after the wild and crazy Tommy, and there’s also no avoiding a comparison with Across the Universe, Julie Taymor’s generally well-received 2007 film. This clip is I Want You (She’s So Heavy).

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Is that version better than, or even as good as, the same song as presented in Sgt. Pepper’s Lonely Heart’s Club Band?

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Bamboo and Bambu

What’s this?? What’s this?? Baby Boomers and Seniors being lumped together, for the New England Boomers & Seniors Expo, as if these two very distinct groups are now one and the same?? So it’s come to this at last. Say it ain’t so, marketeers!

I had to go to the dentist Wednesday morning. The office is in a neighboring town. When they were done with me I recalled there’s a CVS somewhere around there, and while walking around looking for it I spotted a small True Value hardware store with bamboo rakes on display out front. Yay! I needed a new rake, and Home Depot and Lowes only carry plastic and metal, so I grabbed one and went inside.

Oh. My. God. The place is a hangout for old, retired guys, futzing around. Most of them look like they’re about 70. They’re the same age as the Beatles! How did they turn into their fathers?? Is this the future that’s fated for all of us Boomer men?? They should be getting stoned and hanging out at a record store, going through bins of used vinyl LPs!

Boys need not apply

Stephen Spielberg’s Duel is probably the best known TV movie from the 1970’s. Equally noteworthy and memorable is Satan’s School for Girls, with Kate Jackson, Cheryl Ladd, Roy Thinnes, and a favorite of mine, British actress Pamela Franklin. Pamela is best known for her memorable role in The Prime of Miss Jean Brodie, playing a part that today would undoubtedly be toned down considerably.

But Pamela was most often seen in horror films. Not gory horror movies, but ghost stories and tales of the supernatural. Thanks to YouTube user drelbcom, the entire TV movie Satan’s School for Girls is embedded here, to put you in the mood for Halloween.

http://youtu.be/KYF8hOPm_qM

The difference between science and politics

Physicist Richard Feynman’s last hurrah was explaining to the American public, simply and directly, in 30 seconds, why the Space Shuttle Challenger blew up. Doing that opened up the question of why, if Morton Thiokol knew the O-ring material would be affected by the cold of that January 28 morning, did NASA decide to proceed with the launch?

http://youtu.be/UCLgRyKvfp0