This is the supremely sexy and tempting Louise Brooks, on the prowl in Ocala, Florida, one hundred years ago.
Louise was sporting her famous “bob” haircut, a style that was actually popularized in the Roaring Twenties by flapper girl Colleen Moore. Prue’s old friend Vidal Sassoon brought the bob cut back into fashion during the Sixties.
From 1926, It’s the Old Army Game was filmed in various locations. Ocala is of particular interest because that was the hometown of Prue’s late friends Mike O’Neal and his actor brother Patrick. Also, I thought one of my blog followers might be interested in seeing a bit of Ocala as it was so long ago.
Here’s the complete movie, from the year Joe Sinnott was born. W.C. Fields co-stars with Louise.
And here’s the entire record that gets clipped short in the first video. The song ‘The Very Thought of You’ is heard prominently in Casablanca.
What Oppenheimer is to atomic fission, and The Imitation Game is to cryptography, Pressure is to weather. Going in, all I knew was the movie is about the weather forecast for D-Day, and the leading role is played by the excellent actor Andrew Scott.
All three movies depict uniquely brilliant men whose difficult personalities must be tolerated because of their essential importance to the war effort. In Pressure, the man at the center of the narrative is British meteorologist James Stagg.
Once the movie gets going, other historical figures are given generous chunks of screen time. Brendan Fraser is solid as a too portly Eisenhower. More impressive is Damian Lewis as Field Marshall Montgomery.
The big surprise for me was Kerry Condon, who I knew only from Better Call Saul. When I realized who she was portraying, I almost blurted out, “That’s Kay Summersby!”
Who would have thought that Eisenhower’s driver and personal secretary would ever be featured so prominently in a major motion picture? Condon flatters Summersby in a subtle and luminous performance, as someone who deserves to be lifted out of historical obscurity almost as much as Stagg himself.
As portrayed in the movie, in today’s view Summersby was Ike’s work wife. The extent of their relationship in private is the stuff of historical conjecture. Condon portrays Kay as highly competent, on top of every detail at every moment. Her interpersonal skill set includes knowing how to “manage men.”
The Ike/Kay relationship is firmly established as a given at the outset. This makes the finely tuned scenes where Summersby gradually wins over Stagg, and then convinces Ike to put his confidence in Stagg’s ability, highlights for me. Others may be more interested in the professional conflict between Stagg and American meteorologist Irving Krick.
Want to know how D-Day turned out? Watch to find out!
I give Pressure ★★★★★
P.S. This post following one about Trump harming scientific weather forecasting isn’t coincidental.
Trump wrecks everything he touches. He isn’t a builder of anything. Donald is an agent of destruction.
Author Michael Lewis tarnished his reputation by failing to immediately see Sam Bankman Fried as a fraud. Before that misstep, Lewis wrote about the systematic efforts to undermine Science during Trump’s first term.
Now, eight years later, DJT continues his perhaps irreparable damage to scientific research and understanding.
Before Denro and I attended last weekend’s Albany Comic Con, we caught a fun show with Peter Noone and Herman’s Hermits.
My ‘Last Show with Stephen Colbert’ t-shirt arrived today. I shall wear it proudly.
Shall I watch the 3-hour film, Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles? I’ll save it for later, after watching Thor and Hercules pummel each other, Kirby-style.
Small video outfits have been restoring old movies that have fallen into the public domain. These are titles for niche audiences that are devoted to physical media.
Ignite Films did a splendid job with its restoration of Invaders From Mars for a Blu-ray release. Now, Film Masters has restored George Pal’s Destination Moon.
The notable names associated with this production include author Robert Heinlein and artist Chesley Bonestell, with animation by the Walter Lantz studio. Here’s the restored trailer.
For the more casual viewer, you can save thirty bucks and watch the movie here in decent enough quality.
I love the way Moon missions were depicted in the golden age of Sci-Fi. Everybody had the same quaint vision of not only the surface of the Moon, but of the rockets and space suits.
Painting by Al Feldstein
Tintin in, ‘Destination Moon’, by Georges Reme, aka Herge
Tuxedos as formal space suit attire.
Superman in, ‘A Game of Moonball’ – Kenner Give-a-Show slide, 1962
I’d never heard of Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles until now. Which is strange, considering how famous it apparently is, and that I’m a charter subscriber to the Criterion Channel. I happened to catch the start on Criterion 24/7.
The movie is immediately compelling, despite nothing happening except for one quiet, telling event. But I had to make myself stop, because I can’t spare three hours right now.
I’ll set aside the time to start it over and watch through to the end. Something very bad is going to happen. So far, there is no indication of that, but everything is too quiet, so I just know it’s coming.
