A publication on the Netherlands asked Debbie about working with Tom on Boss Radio 66. You’ll need to use a browser that can translate Dutch into English.
Multiple versions of a song competing on the record charts at the same time used to be fairly routine. Saturday’s American Top 40 with Casey Kasem on SiriusXM was from 1971. At the time, there were two versions the song ‘I Don’t Know How to Love Him’ on the Billboard chart.
Helen Reddy’s recording peaked at #13. To me it sounds rather rote, almost like she was doing a run-through to check the mic levels.
Yvonne Elliman was an original cast member of Jesus Christ Superstar. In my opinion, this is the vastly superior performance. Yet it only reached #28 on Billboard.
Hearing those records brought to mind another example of two recordings of the same song that were competing on the charts. It’s from the time when I was starting to work as a radio DJ.
Pat Boone’s daughter Debby had a #1 smash hit with ‘You Light Up My Life’. I must have played this single a thousand times.
The original version of the song, for the movie You Light Up My Life, was sung by Kvitka “Kasey” Cisyk. It outshines Debbie’s performance, yet it topped-out at a lowly #80.
Tom Hanks is having a tailgate party in the back of the Playtone Records station wagon! Today at 1 ET, right here on this conveniently embedded TuneIn player.
A bit over a year ago, I reconfigured my music network over from the last vestiges of Logitech Media Server and onto Lyrion. It’s been great, and their adding support for SiriusXM has been wicked good. Will channel 20 finally turn me into a Springsteen fan?
For all of my experimentation with various headphones and in-ear monitors, if I were forced to limit myself to one pair of each type, for laptop and phone use, these would be them.
They are both from Sony and they happen to be the least expensive products they have. The headphones are the MDR-ZX110, the earbuds are the MDR-EX15LP. They sound nothing at all alike, but they’re equally excellent. Being hairless, I stuck some foam on the headphone band for cushioning.
Looking at the charts Denro provided in the previous post, I see ‘Nothing But a Heartache’ by the Flirtations. A powerful, catchy record that deserved to do better, it peaked at #34, even lower than ‘Will You Be Staying After Sunday’.
How did a 1968 Psychedelic UK record that didn’t chart in America (was it even released here?) …
… get reworked into the Soul Pop sound of ‘Nothing But a Heartache’?
Here’s the explanation. Its history starts with a former Beatle.