The history of the UPA animation studio, as told by a youngster who I will dare to label a hipster. He gets it mostly right, but in the opening of part 2 he gives too much credit to Friz Freleng, and in his criticism of Mr. Magoo, expressed in part 3, he neglects to say that the same thing can be said of the Roadrunner cartoons. Also, Hubley’s work after UPA, along with his wife Faith, deserved at least a quick mention.