The Red and Blue on Blu

A review I posted on the Facebook group Cartoon Research:

The new Blu-ray collection of the classic Fleischer/Famous Superman cartoons comes with the classic question, “Was the baby thrown out with the bath water?”

I have compared the raw and scrubbed images posted on Hi-Def Digest, using the screens of two laptops PC’s, two desktop PC’s, and a tablet. The PC displays were color-calibrated with an X-Rite colorimeter.

Then in blackest night, where no evil shall escape my sight, I watched the Blu-ray on two video projectors. An Epson 3-LCD (45″/1.33 image) and a much more expensive, and superior quality, JVC D-ILA (60″/1.33). Both were adjusted using a Spears & Munsil Blu-ray test disc.

When comparing the captured frames on Hi-Def Digest, I think the better the quality of the display the less appealing the raw scans are for me. Being so very familiar with the limitations and imperfections of the previous releases of these cartoons, watching them in Blu-ray is a new and vastly improved experience, especially on the JVC projector.

The raw clips in the “Speeding Towards Tomorrow” featurette don’t make me think, “Wow, if only the complete cartoons looked like this!” In fact, it feels more like I’m watching a DC DVD that’s been scaled up. I’ll go even further and say that, for me, the question isn’t so much whether the baby was lost with the bath water. It’s more, “What if the cels had been scanned digitally, rather than photographed onto 3-strip Technicolor film?”

I would of course be very interested in seeing the Superman cartoons given the Archive Collection treatment, but right now I’m very pleased with what I bought for less than 25 bucks.

I mentioned an Epson 3-LCD projector. It’s an Epson EF12, currently on sale for $700. Work on a new patio should start right after — correction: before — Memorial Day. Once it’s done I’m hoping to enjoy some backyard movie nights.

My Superman Blu-ray review posted on Amazon:

The negative reviews are coming from a certain point of view that I feel borders on axe-grinding, about how every film restoration should be done. It’s a disservice to fans telling them to pass on this Blu-ray.

We are well past the early days of software that “threw the baby out with the bath water” by removing details along with blemishes and film grain, resulting in an overall softening of the image.

Be assured that Max Fleischer’s Superman on Blu-ray looks absolutely fantastic! It’s so good I can almost imagine the original cels had been photographed digitally 80 years ago, rather than the Technicolor prints being scanned for this release.

The Hearst Follies – 4

The enduring legacy of William Randolph Hearst’s influence on media is on display at the Billy Ireland Library and Cartoon Museum.

Jane Pauley, wife of cartoonist Gary Trudeau, introduces coverage of the Bill Blackbeard exhibit at the museum. My recollection is that Blackbeard suffered a stroke that led to him needing to find a buyer for his massive collection of newspaper comic strips.

The Hearst Follies – 3

A very sympathetic 1-hour biography of Marion Davies, with comments from noted silent film historian Kevin Brownlow. It was financed by Hugh Hefner, who was revealed in last year’s Secrets of Playboy to have been a monster.

How about that swell toe-tapper of a tune, heard a couple of times in the documentary? “There Ain’t No Maybe in My Baby’s Eyes” is what Robert Crumb would call sweet music.

As pointed out in the documentary, Marion had a stutter. She wanted to quit the movies when sound came in, but then her stutter disappeared once the cameras were rolling.

In 1933 Marion, age 36, was teamed with the somewhat younger Bing Crosby in Going Hollywood. Being a pre-code movie, several disclaimers need to be made. First, Marion does a number in black face. Second, Bing implies that Sterling Holloway was gay. Third, Ned Sparks makes fun of Pratts!

Before watching Going Hollywood, I suggest reading this extremely negative review.

http://pre-code.com/going-hollywood-1933-review-marion-davies-bing-crosby/

With all of that background to go on, you can now decide for yourself if Marion Davies was a no-talent hack whose career was entirely thanks to the influence of William Randolph Hearst. I’m leaning towards the side that says, “Gosh, she was a peach of a girl.”

Names Without Faces

Kudos to Salon and/or Getty Images for getting Prue’s name right, but shame on them, because as presented at this link, the ladies have lost their pretty heads!

There, that’s better!

British rock band The Beatles sitting backward in director’s chairs with their name across the backrest, with British fashion model Pattie Boyd (behind Harrison), Tina Williams (behind Starr), Prudence Bury (behind McCartney), and Susan Whitman (behind Lennon), pretending to adjust the Beatles’ hair on the set of ‘A Hard Day’s Night’, location unspecified, United Kingdom, 1964. (Archive Photos/Getty Images)

Y’know, Getty Images doesn’t really own the rights to many of the pictures they claim belong to them. They just slap on their name and call it their own. Getty didn’t specify the location where the photo was taken, but it was Twickenham Studios.

Superman Destroyed?

There’s controversy in fandom over the new Blu-ray release of the 1940’s Superman cartoons.

One pre-release review says the remastering is awful…

https://thedigitalbits.com/item/max-fleischers-superman-bd-2023

… and another says it’s even worse than awful…

https://bluray.highdefdigest.com/115440/maxfleischerssuperman.html

… while another praises the image quality.

https://13thdimension.com/sneak-peek-behold-the-majesty-of-the-remastered-fleischer-superman/

The pre-release listing on Amazon has been pulled…

https://www.amazon.com/gp/product/B0BXQM8FTK/

… but Superman isn’t missing, because my copy should be here on Wednesday. I’m going to assume Amazon deleted the listing because they can’t fill any more pre-release orders.

Something that can’t be debated is the Blu-ray is not part of the Warner Archive Collection, which has a reputation for absolutely impeccable quality. Color is corrected, and blemishes are cleaned, but they prefer to leave film grain intact, out of concern that removing it will result in a softer image.

Animation expert and historian Jerry Beck has been involved with many video releases, going back to VHS and LD. On Facebook, Beck seemed to imply the Archive Collection team would have done a better job of mastering the Superman Blu-ray.

Take your pick – but remember, if it doesn’t say “Archive Collection”… its not “Archive Collection”. Just saying… — Jerry Beck

For 25 bucks, I will decide for myself whether the cartoons look fantastic or if they suck royally.