The Charles Schulziest

Peanuts ReprintThe New York Times says the family of the late Charles Schulz is unhappy with a new biography of the cartoonist. It apparently characterizes Sparky as having been a depressed woman chaser. It also delves into his unhappy first marriage. Looking at the Peanuts strip that was reprinted just this past Sunday (click to enlarge), one can easily see how Schulz may have expressed his marital unhappiness as sibling unhappiness. It will be interesting to see how Schulz is portrayed in The American Masters program about him at the end of the month.

Good Ol’ Charles Schulz

Charles Schulz as a boyPBS may not have made a documentary about Steve Ditko, but there’s one about Charles Schulz coming out next month. It will be on American Masters, Monday, October 29, from 9 – 10:30 PM ET. Here’s a brief write-up about the program.

This is a quintessentially Midwestern story of an unassuming, self-doubting man who, through expressing his unique view of the world, redefined the comic art form with “Peanuts.” His genius lay in depicting the daily collisions of insiders and outsiders, of mundane cruelties and transcendent hopes – seeing the extraordinary in the ordinary. The “Peanuts” cast of characters is as familiar as our own siblings; their trials and tribulations speak of our families and evoke our childhood desperations. They are portrayed with whimsy and poignancy – and always with love and tolerance, each representing different facets of Schulz’ personality and his perspectives on 20th-century America.

I’m hoping they interviewed Donna Wold, Schulz’s real-life Little Red-Haired Girl. As everybody knows, Donna married somebody else. He was a fireman named Al. This is Schulz and Donna in April, 1950.

Charles Schulz with Donna Wold, April 1950

Cartoonist Jimmy Johnson’s ex-wife, Rheta Grimsley Johnson, in her book Good Grief: The Story of Charles M. Schulz, wrote about an encounter Schulz later had with Donna. By coincidence, Donna’s maiden name is Johnson. Her husband passed away some years ago. IMPORTANT CORRECTION — Al Wold is alive and well. See the comment by Mr. David Van Taylor the director of the documentary:

By 1956, when Charles Schulz was signing autographs at a downtown Minneapolis bookstore, he was married, a father, and beginning to ascend to that pinnacle of fame few ever reach. Donna, pregnant with her second child, waited in a long line to ask for his autograph. “That lady in front of me was saying, ‘I’m his biggest fan.’ And I thought, ‘Oh, no, you’re not!'”

Sparky signed Donna’s book with a rather generic inscription that bothers her slightly, even today: “For Donna, with sincere best wishes….” Later he gave her a ride to her parked car.

“I saw pictures of his wife in the newspaper; she looked very pretty,” says Donna. She read the news magazine accounts of his California digs and marveled that her unassuming Sparky had a four-hole golf course and an artificial waterfall. Years later, on a trip through California with Al, she stopped at the ice arena on the chance Sparky would be there. He wasn’t. “Al was good about it. He sat in the car in case I got a chance to talk to him.”

… And That Ain’t “Peanuts”

The availability and value of so-called collectibles has changed greatly since the rise of eBay. Prices for certain items plummeted when it became apparent that they were, in fact, not particularly rare, while others skyrocketed in value. One area that has seen incredible inflation is comic book and comic strip originals by particular artists.

Philip Weiss Auctions is hyping the winning bids for original comic strip art by Charles Schulz, including “Li’l Folks” originals. The name “Peanuts” is, of course, another (equally-outdated) way of saying Li’l Folks.

(Oceanside, N.Y.) – Seven original comic strips by the renowned cartoonist Charles Schulz sold for a combined $152,550 at a three-session, weekend multi-estate sale held March 24-25 by Philip Weiss Auctions. The strips included a Sunday “Peanuts” page from 1963 that alone realized $37,000; three “Li’l Folks” strips; and four “Peanuts” dailies. Prices quoted include a 13% buyer’s premium.

Spider-Man #43The money that the Schulz originals fetched at auction doesn’t surprise me. What stunned me, however, was the $101,700 for the cover art to Spider-Man #43.

Drawn by John Romita Sr., this is a particularly favorite issue of mine, although it’s not one of his best covers. How much was Romita paid for drawing this cover in 1966? Probably not even $100.

I’m pleased that a Romita original can command this much money, and I would like to believe that Jazzy Johnny will get a cut of the bucks transacted at this auction. It’s the right thing to do. (It’s possible that Romita was selling it himself, but given what I know about the history of such peak period Marvel Comics art, I doubt it.)

Paint it (Charlie) Brown

Charles Schulz Wall

If you’re anywhere near Santa Rosa, California on Saturday, The Charles M. Schulz Museum will be presenting The Nursery Wall Uncovered at 1 pm.

The wall was painted by Schulz in daughter Meredith’s room during the time the family lived in Colorado, after leaving Minnesota and before moving onto California. It’s not The Last Judgment wall from the Sistine Chapel, but it’s certainly a unique piece of work by Sparky, done in a medium that he rarely if ever worked in again.