Who will own the original solid-state mixing console used at Abbey Road to record Abbey Road?
https://reverb.com/item/84510567-emi-tg-12345-abbey-road-console
Who will own the original solid-state mixing console used at Abbey Road to record Abbey Road?
https://reverb.com/item/84510567-emi-tg-12345-abbey-road-console
More about Stu Phillips. In the Sixties he was behind the Hollyridge Strings series of albums.
I approached Karl Engemann at Capitol [Records] with a far-out idea of recording an album of Beatles songs in an orchestral setting geared toward easy listening. A sort of “Beatles for the older set.”
Phillips wasn’t the only one with that idea in 1964. Beatles producer George Martin produced instrumental versions of Beatles songs, starting with the A Hard Day’s Night soundtrack.
George Martin then released his Off the Beatle Track album. I checked Martin’s memoir, All You Need is Ears, and there’s no mention of the Hollyridge Strings records.
Music from the first Hollyridge album by Phillips is featured on the Capitol album The Beatles Story.
Here’s a good comparison of groovy British vs. American sounds from 1967, with America having the harder edge.
Johnny Carson, from when the Tonight Show was still in New York, talking about the forthcoming arrival to the city of the Fabulous Foursome.
The PBS NewsHour profiles Michael Lindsay-Hogg.
My eldest sister occasionally likes to remind me that she attended both of the Beatles shows at Shea Stadium. The legendary 1965 concert was held two weeks before Mary Quant’s New York fashion show, where Prue introduced miniskirts to America.
The unprecedented success of the Beatles at Shea Stadium gave promoters the idea that the venue would be good for other acts, as seen in this 1966 poster.
Here’s the batty tale of how Batman followed the Beatles to Shea Stadium, and why Bob Dylan didn’t.