A Hard Day’s Write

Richard Lester, who directed the two truly great Beatle films, A Hard Day’s Night and HELP!, has received a Fellowship from the British Film Institute. With the recent death of Davy Jones, I’ve been hearing the old assertion that the Monkees TV show was based on AHDN, but I just don’t see it. HELP! was clearly the model for the series, with producers Raphelson and Schneider drawing inspiration from the fantasy of the boys living together in a quirky, colorful pad, full of groovy stuff.

I have high praise and thanks for author Ray Morton, and his book about the making of A Hard Day’s Night. Besides being a solid and thorough telling of the background and production of the movie, in A Hard Days Night: Music on Film Series, Morton did something no other writer on the subject has done — he gets the facts right about Prue Bury, and for that I am sincerely grateful. Ray Morton can be heard on Reject Radio talking about the movie and his book at this link. He comes in at 40:30 into the podcast.

Back in 2002, Rolling Stone had a piece about the Miramax DVD release of A Hard Day’s Night, and it has one of the classic promotional photos of the Beatles with (l-r) Pattie Boyd, Tina Williams, Prue Bury, and Sue Whitman.

By coincidence, and to my great amusement, that issue also had this item:

So the first time that Doug Pratt had a connection to Prue Bury, it was a different Doug Pratt!

Back on a train of thought

It’s always a treat seeing pictures of Prue Bury for the first time. This one came from The Gilly on Tumblr. Prue was waiting for hairdresser Betty Glasow to take the pins out of her hair, and John pretended to cut it himself.

It’s interesting that John did that, in light of these comments by Prue:

John threw me by saying, “I hear you don’t like our singing!” Oops, what do I say to that? It is true that in one of the newspaper interviews I had said that I was impressed by their sharp repartee more than their singing! On reflection, a dumb thing to say. I plead nerves! Naturally I denied it and said the obvious, that one could never believe what one read in the press and wiggled out of it.

The boys were great fun on the train and kept Pattie and I laughing with their jokes. They were easy to get on with and natural in their behaviour, although John was the most reserved, and so when we were not shooting we sat and joked and smoked a lot… just cigarettes!! !! Ringo was mad about taking photos and snapped everything in sight, including me.

So even though John was the most reserved Beatle on that occasion, he was comfortable enough with Prue to play with her hair. But he didn’t get as silly as George did, wearing one of the hats the girls had — I assume it was Pattie’s. This picture is from the Yahoo group, Pattie Boyd’s Sixties Style.

All of these pictures were taken by Astrid Kirchherr, who signed this gallery print.

And here’s one of the snapshots that was taken by Ringo. I used it on Prue’s birthday last year. Lynn at Pattie Boyd’s Sixties Style did a great job of image editing to hide the page seam.

British Band Before Beatles

Paul McCartney’s new CD, Kisses from the Bottom, features old songs that he knew from his father, who had been a musician in a Jazz band. From listening to Clare Teal, Sundays on BBC Radio 2, I know the names of two big name British band leaders that I assume must have been familiar to Paul’s father — Ray Noble, who I’ve mentioned before, and Benjamin “Bert” Ambrose, who did a really catchy instrumental version of Caravan.

I love that arrangement. It reminds me a bit of Raymond Scott’s sound.

http://youtu.be/tZACT4UgBog

Flash in the post

I don’t do very much video capturing anymore, partly because it’s a royal pain, but mostly because YouTube has most everything anyway. But I have some video clips I’d like to post later that aren’t on YouTube, so tonight I spent way too much time testing a new video editor. As is always the case, there are good and bad things about the software, but at least I got it working.

This is a comparison between the 1987 LD (LaserDisc) release of HELP! and the 2007 DVD edition. The LD is full frame, the way the film was shot.

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And this is from the DVD. The movie has been cropped top and bottom to create a wider image, as it would have been shown in movie theaters in 1965. The color has been corrected, but it has much harder video contrast and louder sound than the LaserDisc.

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