George Martin Instrumentally Salutes the Beatle Girls

George Martin Salutes Beatles Girls

My twinster Jean spotted this eBay auction for an original 1966 LP copy of George Martin Instrumentally Salutes the Beatle Girls. Sir George as Hugh Hefner!

I can’t find reference to this record in George Martin’s autobiography, “All You Need is Ears”, nor do I see mention of Martin’s better-known instrumental recording, “Off the Beatle Track”, from 1964. The book is poorly indexed, so I’ll keep looking.

Off the Beatle Track

The American soundtrack to A Hard Day’s Night included instrumentals arranged and conducted by George Martin. Here’s one of them, taken from an ancient US LP. Sounds so-so.

[audio:http://www.dograt.com/Audio/MAR07/AHDN_Instrumental.mp3]

The year 1964 was a very good one for George Martin. Undoubtedly his best-known non-Beatles production of that year, and perhaps any year, is this one, taken from an old UK LP. Sounds super.

[audio:http://www.dograt.com/Audio/MAR07/Goldfinger.mp3]

Separated at Birth?

Here is actor Alan Rickman…

Alan Rickman

…and below is Beatles recording engineer Norman Smith, who was a recording artist himself under the pseudonym Hurricane Smith.

Norman Smith
From Recording the Beatles © 2006 Curvebender Publishing

Norman Smith first joined the Abbey Road staff in 1959 as an assistant and quickly progressed to Balance Engineer. He served as the Beatles’ engineer from their Artist Test in 1962 until the completion of Rubber Soul in 1965. In addition to every album made during that time period, he also engineered all of the accompanying singles, including such standouts as “She Loves You”, “I Want To Hold Your Hand”, “I Feel Fine”, “Day Tripper”, and “We Can Work It Out.” Nicknamed “Normal” by the group, he left the engineer’s seat in 1966 when he was promoted to EMI’s A&R department (assuming George Martin’s former position as the head of Parlophone). From there, he went on to produce Pink Floyd’s first two albums — Piper at the Gates and A Saucerful of Secrets — as well as notable work with The Pretty Things. Smith also tried his hand as a recording artist, and in the early 1970s he scored a #3 US hit with “Oh Babe, What Would You Say?” using the alias “Hurricane Smith”.

[audio:http://www.dograt.com/Sounds/Wordpress/DEC06/OhBabe.mp3]

Lonnie Donegan

Before I post another video with Pop songtress supreme Petula Clark, let’s back up a little to 1955-56 and put her career into perspective. Rock and Roll was on the horizon, and the Skiffle music craze was huge in England. Pet’s style obviously wasn’t going to mesh with that.

Lonnie Donegan

Skiffle was popularized by Lonnie Donegan, who had a huge influence on British kids, including John Lennon. Donegan seemed to have a wide range of musical interests and influences, including Woody Guthrie, who was later a primary inspiration for Bob Dylan. Donegan performs Guthrie’s “Grand Cooley Dam” in this video:

[flv:http://www.dograt.com/Video/FEB07/LonnieDonegan.flv 320 235]

Donegan had a gigantic hit with “Rock Island Line,” a song that he apparently first heard on an old record by Leadbelly. It was such a big hit for Donegan that it crossed over to America, and Stan Freberg did a parody of it.

The audio player has Donegan’s “Rock Island Line”, along with a follow-up hit, “Does Your Chewing Gum Lose Its Flavour On The Bedpost Overnight?”

[audio:http://www.dograt.com/Audio/FEB07/RockIslandLine.mp3,http://www.dograt.com/Audio/FEB07/ChewingGum.mp3]

And here is Leadbelly doing “Rock Island Line”, along with Freberg’s parody of Donegan:

[audio:http://www.dograt.com/Audio/FEB07/Leadbelly.mp3,http://www.dograt.com/Audio/FEB07/StanFreberg.mp3]