See my previous item about the book Recording the Beatles. The second printing isn’t out yet, but the bonus materials are here!
Dennis, what are you waiting for?? Do you think it will show up on remainder at Barnes & Noble? 😉 (That’s an inside joke.)
Perhaps you’ve heard about the recent Beatles CD, Love. It’s a wild remix — a mash-up, if you will — of later Beatles recordings. The song “Help!” is in there, as is some of the Revolver album, but mostly it was taken from “Sgt. Pepper” to “Abbey Road.”
My buddy Dennis gave me a copy of Love for Christmas and, much to my surprise, I really like it! Except for the art, which is total rubbish as the British would say. If nothing else the sound is stunning, and highlights how badly the Beatles’ catalog needs to be remastered.
NPR has given “Love” lots of coverage, including a frank interview with Sir George Martin that’s at this link. Although I can’t stand NPR’s Bob Boilen imitating Scott Simon’s annoying laugh, I agree 100% with his comments about the release. Boilen’s 30-minute interview with George Martin’s son Giles Martin can be heard here. I’ve extracted three minutes of the interview and put them on the audio player. Martin discusses “Being For the Benefit of Mr. Kite.”
[audio:http://www.dograt.com/Audio/JAN07/BeatlesLove.mp3]
As familiar as the stereo mix of Sgt. Pepper’s Lonely Heart’s Club Band is, the fact is the Beatles had nothing to do with it! Their input went exclusively into the monaural mix. EMI recording engineer John Lush, who assisted Geoff Emerick on the stereo mix, says “The only real version of Sgt. Pepper’s Lonely Heart’s Club Band is the mono version. George Martin, Geoff and I did the stereo in a few days, just the three of us, without a Beatle in sight.” (Source: The Beatles Recording Sessions, by Mark Lewisohn)
Here’s “Being For the Benefit of Mr. Kite” from the original 1967 mono LP release of Sgt. Pepper, purchased by my sister Leslie the week, if not the day, of its release. Don’t expect sonic excellence — American Beatles records had notoriously poor sound quality — but do expect the song to not be just the stereo version made mono.
[audio:http://www.dograt.com/Audio/JAN07/Kite.mp3]Edit: That old record sounds so bad I equalized it to give it some life.
[audio:http://www.dograt.com/Audio/JAN07/KiteEqualized.mp3]
Recently, I offered some Beatles studio session outtakes of HELP! , and before that an outtake of I Feel Fine, and in the comments I made mention of “The Beatles Recording Sessions,” by Mark Lewisohn. As pointed out by best buddy Denro, Lewisohn admits his 1988 book is now superceded by “Recording the Beatles,” a $100 tome that is essentially self-published by its authors, Kevin Ryan and Brian Kehew.
I had no idea of this book’s existence until today. The first printing of 3000 copies is sold out, and I wouldn’t be surprised if the second printing is already spoken for. But I’d better get in line, as this is an irresistable item that, despite the expense, I must have.
Click here to read a New York Times article about Recording the Beatles, and other self-published Beatles books. If that link asks for a registration you don’t want to have, click here instead.
Wow, this is great! I was about to go to the trouble of posting all of the Christmas records the Beatles made for their fan club, but I see somebody has already done an excellent job of it. Click here, and be patient with the MP3 downloads.
If you have time for only one of them right now, I HIGHLY RECOMMEND listening to 1967. Wonderful stuff. This is what Magical Mystery Tour should have been.
[flv:http://www.dograt.com/Movies/Wordpress/DEC06/HELP.flv 400 300]
Previously I offered studio take 6 of the Beatles’ “I Feel Fine.” The audio player has takes 1 through 5 of “HELP!” The vocals weren’t introduced until take 9.
John considered this song to be a personal breakthrough, because it was a sincere cry for help. For all of the Beatles trivia I’ve picked up over the years, I’ve never seen confirmation of my suspicion that the song title HELP! was inspired by a magazine cover, as discussed here.
I’d like to offer a scan of the picture sleeve to the original single, as well as the single itself, but it’s in the possession of Mr. Dennis F. Rogers; so, instead, you can watch the Beatles performing the song on TV. This is from the last Ed Sullivan show ever broadcast in black and white. It’s fitting, I suppose, as this is, I imagine, the very last appearance of the Beatles in their Fab Four incarnation. “Rubber Soul” was released in December, and it was obvious to everybody that the times, they were a changin’.
One other piece of trivia I can pass along is that the man sitting at the control console on Tuesday, April 13, 1965, engineering the recording of HELP! was Norman Smith. He later had a hit single of his own, on the charts in late 1972. Some may consider it silly fluff, but I’ve always loved this song. Perhaps you remember it?
Friday, December 8, has no entry. It’s blank. The day that John Lennon was killed in 1980. I’d like to say I did that intentionally, to symbolize the space that could never be filled; but, the fact is, I screwed up.
The first Beatles song that I was aware as being “a John song,” was “I Feel Fine.” I’ve always considered “I Feel Fine” to be very innovative, and not just for the guitar feedback intro. To me it represents the point when The Beatles started to really break away musically from Beatlemania.
The audio player has the original single, 42 years old, that belonged to my big sister. Perhaps it still does, but she’ll never get it back! 😉 When that finishes, a second track will kick in with take 6 of the instrumental for “I Feel Fine.” This one you won’t find on “Anthology.”
[audio:http://www.dograt.com/Sounds/Wordpress/DEC06/IFeelFine45.mp3,http://www.dograt.com/Sounds/Wordpress/DEC06/IFeelFine.mp3]Technical note: Listen to the cymbals in the left channel of the studio session recording. Hear the smearing and slurping effect? The original is perfectly clear and clean. This is a good example of where 128 Kbps MP3 comes up short.
