My second favorite K3 song, after “Kissing Day”, is “Heart Lost.” The video for it is second in the playlist on the YouTube player I put together at this link. On the video player here, the ladies do a lovely job of rendering “Hart Verloren” in much more subdued tones in a live performance.
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Steve Wright on BBC Radio 2 promised back here that Petula Clark would be on his show, and indeed she was, last Monday. I missed Cilla Black’s appearance, unfortunately, and if you go back to my Cilla post, you’ll notice “Anyone Who Had A Heart” is almost conspicuous in its absence. That’s because Wright played it shortly before chatting with Petula, and I was saving it for now.
[audio:http://www.dograt.com/Audio/2008/JUN/SteveWrightCillaBlack.mp3]I let the recording run into the next song, to provide some flavor (excuse me, flavour) of the show. BBC Radio 2 is the only place I can go that gives me the same fun feeling I had as a kid listening to the legendary station Musicradio 77WABC in New York.
OK, so there’s Cilla Black’s cover of Dionne Warwick’s “Anyone Who Had A Heart,” produced by George Martin. That’s an excellent piece of work. Whether or not you consider this recording to be too close to the original, as a vocal it easily holds up in comparison to Petula Clark and Dusty Springfield. Clearly, based on this recording Cilla had the vocal chops, and with nothing else to go on I have to assume it was the way George Martin produced her that kept Cilla Black from greater popularity in America.
So let’s get to Petula’s chat with Steve Wright, shall we?
[audio:http://www.dograt.com/Audio/2008/JUN/SteveWrightPetulaClark.mp3]She doesn’t like being called “Pet”?? The last thing I said when I had my two minutes with her was, “Thank you, Pet.” Yikes! But… that was my one chance. Saying “Pet” isn’t supposed to convey to her that she’s thought of as a child star, because she never was one here. Well, what’s done is done, and there’s no taking it back. I’ll know better next time.
As the risk of being a little too obviously obsessive here, I’ll follow up on a comment I added to my Cilla Black post, about a video that shows Petula Clark’s style, that you can compare to Cilla Black, who was at the cute and coy end of the sexiness spectrum. The video is a little dark, but serviceable. At this link you can read about the TV special they’re promoting.
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I would hope by now you can put names to the faces. Remember how the Beatles looked the same at first? Here you have a blond, a brunette and a redhead, so it’s easy. C’mon, you can do it!
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If you have any doubts that the three K’s really can sing, and do quiet material, this video has them singing live, with only a piano accompaniment. The song is “Je hebt een vriend” — “You Have a Friend.” The video for the original recording can be seen here on YouTube.
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D.F. Rogers wants more Mega Mindy! He didn’t even have to ask, I just know. OK, so maybe I want more Mega Mindy too. She’s played by a woman with the unlikely name of Free Souffriau (SUE-free-oh). Free is quite versatile, and as you’ll hear her English is impeccable. I still haven’t heard how Karen, Kristel, and Kathleen of K3 are with English.
The first video has a live performance of the Mega Mindy theme song with a band and no lip-synching. Near the end she holds out her mic and you can hear the kids singing along. Isn’t that great? The second video on the playlist has Free out of costume, being interviewed with, and by, kids, followed by a video of a song from the show, “Toby Toby.” The last video is the most interesting, with Free as herself, free of Mega Mindy.
Will the three K’s in the girl group K3 ever find fame beyond Belgium and the Netherlands? I suspect not, with language being the reason why. Do any American network television producers even know about K3? Oh, yes. As of yesterday I am 100% sure of that.
But now let’s go back to 1965, when Petula Clark had a string of hit records that was perhaps unprecedented for any solo female singer. Certainly no other British woman has met with such success before or since. Julie Andrews specialized in musicals, of course.
Dusty Springfield broke onto the U.S. charts some months before Petula, and she was quite successful, although she never had a #1 hit here. But there was also another female English solo singer seeking success in America. Cilla Black was, like the Beatles, from Liverpool, and she was likewise discovered and managed by Brian Epstein.
Cilla Black provides an interesting contrast to Petula Clark. They’re both petite, with strong voices, but where Cilla’s appeal was being cute and coy, Petula’s primary charm was sexiness. With great popularity in England, Brian Epstein behind her, and George Martin producing her records, Cilla had the necessary advantages to succeed in America. But it didn’t happen.
Cilla Black made one appearance on the Ed Sullivan Show. It was on September 12, 1965, the same night the Beatles made their last live appearance for Sullivan. I featured a bit of it at this link eighteen months ago. And this is Cilla on that night.
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In the recording studio, Cilla had the benefit of not only George Martin, but several songs written by Paul McCartney.
The first is “Love of the Love,” from 1963, which I think should have been done in a more laid back style.
[audio:http://www.dograt.com/Audio/2008/JUN/LoveOfTheLoved.mp3]Then there’s “It’s For You,” from 1964, which I think has Martin making Cilla sound conspicuously like Shirley Bassey, who he had recorded recently singing the famous “Goldfinger” theme.
[audio:http://www.dograt.com/Audio/2008/JUN/ItsForYou.mp3]… and “Step Inside Love” from much later, in 1968, with production values that point towards George Martin’s work with McCartney on “Live and Let Die.”
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