Antiques Rock Show

Ever watch The Antiques Road Show? Lots of boring old stuff for boring old people, huh? But what if there were an Antiques Rock Show? At the link is a very amusing video of exactly that. [Link]

WFMU Record Fair

Probably the closest the actual Antiques Road Show has gotten to doing something like this is a segment with vintage rock concert posters. [Link] The show’s pop culture collectibles appraiser is Gary Sohmers, whose business is near here.

Petula Clark In Scotland

Petula Clark 1955
Petula Clark is in Scotland at the moment, for a couple of concert appearances. The Herald in Glasgow has a very nice feature about her visit. [Link]

Can you believe it? She’s still called a “former child star” over there! That was some 60 years ago, but she still can’t shake the title in the UK.

The article fails to mention the online PETition requesting a Damehood for Petula. I remedied that omission by adding the comment shown below.

Pet Petition

Pet Project

Dame Petula Clark

Let’s see how that online PETition is coming along. The one in England, asking Tony Blair to recommend Petula Clark be granted the title of Dame. [Link Here]

Hmm. At the moment, 134 136 138 140 166 UK residents have signed it. Not too bad for three four weeks, but let’s hope those Brits step it up. I have to admit I’m not quite sure to whom the recommendation must be made. The Queen herself?

Low Fidelity, High Quality

Louis Armstrong and King OliverBack in December I mentioned the WGBH radio program The Jazz Decades, hosted by Ray Smith. This Sunday’s show featured some noteworthy restored 1920’s recordings that are of particular interest to Smith — King Oliver’s Creole Jazz Band, with Louis Armstrong.

Smith rhapsodizes at length during the twenty five minutes of the program that are on the audio player, recorded off of my computer’s FM tuner. I fiddled with the dipole antenna for a few moments at the beginning, as will be obvious if you listen.

[audio:http://www.dograt.com/Audio/APR07/JazzDecadesApr1-07.mp3]

Not being a musician myself, I appreciate these acoustic (non-electrical) recordings more for their historical and technical significance, but Smith’s infectious enthusiasm for the virtuosity of the performances is fun to hear. Note: At one point Smith refers to 1933 when he meant to say 1923.