Comics Books, The Inflation Canary

This is adapted from a letter I wrote to my buddy Denro that, upon review, seemed suitable for a blog post:

If you look up the causes of accelerated inflation in the 70’s, conservative economists always point to Nixon ending the gold standard for currency exchange. They completely ignore our generation coming of age, which I’m certain was, along with the OPEC oil crisis, a main driver of prices. We saw the trend in our comic books!

Comics had stayed 10-cents for over 20 years, and were 12-cents for most of the Sixties. But then in ’69 they went to 15-cents, and only two years later there was the jump to 48-pages for a quarter, before the rapid reversal to 32-pages for 20-cents. The cover date of that first big jump? August, 1971, so the issues were on sale in May-June, exactly 50 years ago. As fans we saw the immediate effect of inflation in one of the smallest segments of the American economy. When did Nixon end the gold standard for exchange rates? August, 1971. Stupidly, I had failed to see that connection while writing my senior paper for Economics on Nixon’s wage and price controls!

I see another factor behind 70’s inflation, with the high sustained wages earned by unionized factory workers at the same time the peak baby boomers were flooding the job market. As I like to point out, the Polka and Portuguese music shows at the radio station on Sundays were paid for by guys who worked union jobs at the Spalding plant in Chicopee. With me having the FCC-mandated license to operate the transmitter, they sat at the mic and played records while their families and friends sat in the talk show studio. The Polish people headed out while the Portuguese people came in, then followed by the stock car racing guys.

The car show was all talk, so I was in the control room at the Gates console, engineering and handling the calls. The guy who ran the car show owned a garage with a custom shop. (You should imagine John Milner instead of Curt Henderson being at Wolfman Jack’s station in American Graffiti.) Half of the ads during the car show were self-promotion for the guy’s business, so I have to assume he wasn’t running a chop shop. 😉

During the Polka and Portuguese shows I was checking the AP wire and reading Billboard, or in the production studio working on commercials, while keeping an ear on the over-the-air monitor, listening for trouble. The guys solicited their own advertisers, and if that money didn’t cover the station’s fee they had to pay the difference out of their own pockets. Sometimes I’d see a new RV in the parking lot, and I’d hear about their vacation houses on Lake Winnipesaukee. I’m sure they were earning more than my $3/hour. Those tennis balls and basketballs aren’t made by union labor in Chicopee anymore, and those lakefront properties now have million-dollar vacation homes owned by executive class buyers.

Post-Pandemic Punk

A teen band in Los Angeles, The Linda Lindas, have a viral video.

The girls have been signed to a small record label. They got the idea for their band from Linda Linda Linda, a 2005 Japanese movie.

Schoolgirls are the subjects of countless Japanese movies, anime, and manga. From sweet, innocent and charming, to super-powered, to graphically pornographic, girls in school uniforms are everywhere in Japanese media. I rented Linda Linda Linda back when I had a 3-disc Netflix subscription. The movie is safely at the sweet and charming end of the spectrum. The DVD is out of print, and whoever owns the rights would be smart to make the movie available online as soon as possible.

Are there cybernetic assassin schoolgirls? Of course.

A song in English by a Scottish band really is the theme to the anime series. Here’s the complete recording. It’s one of the most remarkable productions I have ever heard.

As Expected

From a message I, and millions more, received from Alphabet/Google/YouTube.

YouTube’s right to monetize: YouTube has the right to monetize all content on the platform and ads may appear on videos from channels not in the YouTube Partner Program.

I had a sneaking suspicion this was coming. Next up will be the end of embedding.

A Healthcare Market, Not a System

The Frontline/NPR documentary The Healthcare Divide is of personal interest, because of my 36 years in hospital information systems — including work done at, and for, facilities and organizations featured in this report.

The coverage is focused on Safety Net Hospitals. There is no mention rural Critical Access Hospitals. These also serve as safety nets, and have the same problems, but they are much smaller and, by definition, there is no local competition. After watching the documentary I checked a discussion on C-SPAN.

Wrongs on the Right

In 10th grade American History class, 50 years ago (!), we had a discussion about determining fact vs. fiction. One of the kids said he’d heard there was a miracle carburetor. It got incredibly good mileage, but the oil companies and auto manufacturers were keeping it a secret. There was, and is, plenty of justification for doubting the integrity of oil and car companies, but my classmate’s claim reminded me of the “Paul is dead” hoax from a year earlier.

My family had visited the Larz Anderson Auto Museum in Brookline, MA. A featured exhibit at the time, and of greatest interest to me, was Hitler’s Mercedes convertible touring car. It had mechanical fuel injection, and learning about that made the existence of a “miracle carburetor” seem very unlikely to me.

So here we are today, with people continuing to be sucked in by obvious hoaxes. But unlike Paul is dead or the claim of a miracle carburetor, or even the JFK conspiracy theories, they aren’t harmless. They are malicious lies that can hurt people very directly and personally, as this Associated Press article explains.

Foresight Was 20/20

Once again I have praise for The Premonition, by Michael Lewis. It’s a story of unwavering individual competence in the face of systemic incompetence.

Lewis shows how the pandemic revealed the inefficiencies of both the private and public sectors. If there’s an overarching theme, it’s that the CDC no longer does it job. Trump was the final blow to a once-great organization that began to decline 40 years ago, with Reagan and the AIDS crisis.