My Night As A Carny

The 1971 World Science Fiction Convention, aka Noreascon, was my first fan convention. I wouldn’t have been able to attend if I didn’t have more money than I’d ever had in my life. How did I get the money? I worked, for one night only, as a carny.

A town fair was held at the end of each school year. After the 10th grade I attended the last night of the fair with money earned by filling in for my sister, who had double-booked a babysitting job. Word got around that the carnival operator was hiring helpers to shut down the operation. Fifty bucks for however long it took to get everything done. As I recall, they didn’t have many takers, and I was hired.

What a night that was! They put me to work doing all sorts of things from picking up trash to loading trucks. What I remember best was helping to take some of the rides apart. Taking down the Ferris wheel was difficult and dangerous, but it all turned out OK. No, I wasn’t tempted to run away from home and join the circus!

I forget exactly when we were finished, but I recall the sun was starting to come up as I walked home. Exhausted and absolutely filthy, I was genuinely surprised that the crew — a rough bunch, to be sure — said I had done a good job. I was handed $50 in cash, equivalent to almost $350 today, and that was my spending money for Noreascon. A month after the convention, I started a part-time job washing dishes.

Mojo Working

I skipped watching Star Trek: Deep Space Nine when the series began airing more than 25 years ago, choosing instead to watch The X-Files. But I’m catching up to ST:DS9 now, during family viewing time.

DS9 shares many similarities with another 90’s TV series, Babylon 5. Something the two shows didn’t share at first was how their outer space effects were done. Babylon used groundbreaking computer graphics effects exclusively for its spaceships, while DS9 relied upon physical models until later in the series.

DS9 is available on Netflix, Amazon Prime, and CBS All Access. It also airs on the over-the-air broadcast channel H&I. All of these outlets are showing the same standard definition copies. I know because I’ve checked. I keep wondering how much better DS9 would look if it could be presented in HD, as was done for the original 1960’s Trek.

Special effects wiz Adam “Mojo” Lebowitz, a 2-time Emmy winner who got his start on Babylon, remastered a scene he worked on in 1997, to demonstrate what’s possible.

A Moment of Recognition

You know how it is browsing YouTube, with one video leading to another. Watching this one, which requires knowing who Harry Truman was, I realized that not only do I know who that talented little girl is, I met her a few years ago and we had a couple of very nice chats.

(Note that I have posted this in my Sci-Fi category.)

Recycled Space

I’ve talked about Byron Haskin here before. Haskin had quite the varied and interesting career in Hollywood. He is perhaps best known for directing The War of the Worlds in 1953, which is one of my favorite movies.

Ann Robinson and Gene Barry in ‘The War of the Worlds’

Here I am with Ann Robinson last November. Ann is a delight to meet with and chat, and I couldn’t resist buying that model of the Martian war machine.

Haskin had a knack for coming up with quick and economical special effects. He had worked with director Frank Capra on Arsenic and Old Lace, and it’s my suspicion that he produced the outer space effect at the opening to It’s a Wonderful Life. I say that because the footage was recycled by Haskin in S1:E29 of The Outer Limits.