‘Better Call Saul’ returns! Season 5 of the series that is better than my most optimistic hope — better than ‘Breaking Bad’ in my opinion — starts in less than 2 weeks, on the 23rd. I’m especially looking forward to the opening scene, depicting the life in hiding of Jimmy/Saul/Gene. Season 4’s memorable opening began with this song.
Had we but world enough and time,
This coyness, lady, were no crime.
We would sit down, and think which way
To walk, and pass our long love’s day.
Thou by the Indian Ganges’ side
Shouldst rubies find; I by the tide
Of Humber would complain. I would
Love you ten years before the flood,
And you should, if you please, refuse
Till the conversion of the Jews.
My vegetable love should grow
Vaster than empires and more slow;
An hundred years should go to praise
Thine eyes, and on thy forehead gaze;
Two hundred to adore each breast,
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart.
For, lady, you deserve this state,
Nor would I love at lower rate.
But at my back I always hear
Time’s wingèd chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found;
Nor, in thy marble vault, shall sound
My echoing song; then worms shall try
That long-preserved virginity,
And your quaint honour turn to dust,
And into ashes all my lust;
The grave’s a fine and private place,
But none, I think, do there embrace.
Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may,
And now, like amorous birds of prey,
Rather at once our time devour
Than languish in his slow-chapped power.
Let us roll all our strength and all
Our sweetness up into one ball,
And tear our pleasures with rough strife
Through the iron gates of life:
Thus, though we cannot make our sun
Stand still, yet we will make him run.
The background on the film ‘Angel Face’ is that Howard Hughes wanted director Otto Preminger to make Jean Simmons miserable for wanting out of her RKO contract. One way that Preminger was able to diminish Simmons, after Robert Mitchum refused to provide physical abuse, was by featuring Mona Freeman to maximum flattering effect. Mona’s modest start in show business was as one of the first Miss Subway girls in New York.
Preminger pushed the limit of what censors allowed on screen in 1953. Mona is completely comfortable with Mitchum seeing her in a slip and that obviously wasn’t the first time he zipped up her dress, despite the characters not being married. Something about Robert Mitchum I’ve long thought is that the way he talked sounded somewhat like Bing Crosby.