Meeker behind the wheel

It seems almost every time I see Ralph Meeker in something, he’s driving a car.

Kiss Me Deadly (1955) – with Cloris Leachman

Alfred Hitchcock Presents, season 1, episode 1, Revenge – with Vera Miles

Alfred Hitchcock Presents, season 2, episode 20, Malice Domestic – with Lili Kardell

Food of the Gods (1976) – with Pamela Franklin

If you have never seen Revenge, I insist. It was based on a short story by Samuel Blas, and had already been adapted into an EC comic book story before Hitchcock got hold of it. Hitch himself directed Revenge, with one of his favorite actresses, and mine, Vera Miles. Don’t miss Francis “Aunt Bee” Bavier’s reaction to Vera in a bathing suit.

K3 fans fly united

K3 fan Theo Hendriks in the Netherlands writes…

Hello Doug,

This is Theo, I’m on your blog with a picture of me and K3 and I would like to add to the comment that K3 including Josje, and very especially Kristel, have been very supporting to me in the transistion to a K3 without Kathleen. I still see K3 regularly, and I’m still a big fan.

I lost some weight (well 25 kg), so I look a bit different now, but could you add this picture to your story? It’s Kristel and me end of august 2011.

Greetings Theo.
Netherlands.

Thanks, Theo! I’ll add a link on the earlier blog post pointing to this one. You know how to make a fellow jealous! And on top of that you’re reminding me that for the first time in decades I need to lose weight myself. I’ll make myself even more jealous by grabbing this other photo of you with lovely Kristel. It looks like it was cold there for late August!

P.S. Adjusting to change isn’t easy, but I agree with Theo that Josje is great, although I’m still not sure how they can be K3 with two K’s and a J. 😉

Strong influence on the weak-minded?

A few days ago I was on my last disposable razor when the shaving cream ran out, so I went to Target, intending to buy the same combination of Gillette Foamy and Bic Comfort 3-blade razors that I’ve been using for over two years…

… but then I decided on Barbasol shaving cream and Gillette Custom Plus twin-blade disposals. I thought I had based my purchase solely on price, but today, while going through last week’s New Yorker, I spotted something in an article I’d already read. Hover over the picture to see what it was.

Coincidence, or the power of iconography?

Likin’ Lenka

It’s time for another singer who I didn’t know existed ten minutes ago, with a song I liked instantly. Lenka, from Australia. I just love this sort of song, and the sound it makes. Forget the cow bell, give me more bells! This may be the only song by Lenka I like. I don’t know yet, because it’s all I’ve heard so far.

Lenka came up on my Lily Allen channel on Pandora. I think Allen’s The Fear is a superb piece of work. It’s a perfect expression of sentiments, both sincere and ironic. It’s also an exceptional example of how essential the producer is — Greg Kurstin in this instance — to giving a recording a certain effect and feeling.

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Running off a Cliff with the Beatles

Last week, TCM showed the movie Summer Holiday, with Cliff Richard. Directed by Peter (“Bullitt”) Yates, released in early ’63 and shot on location in widescreen and color, Summer Holiday is cute and silly fun. It has inspired bits of comedy, solid songs with Cliff and the always excellent Shadows, and great production numbers, but it can’t be called a Rock and Roll movie by any stretch.

Each [Cliff Richard] film inevitably also employs the ideological underpinning of the Hollywood musical. A genre such as the musical is not just a film type; it brings with it certain spectator expectations, certain structures, codes and conventions which combine in the musical to indicate its function as, in Richard Dyer’s phrase, a ‘gospel of happiness’. A Hard Day’s Night: The British Film Guide, by Stephen Glynn, Turner Classic Movies, 2005, p.7

http://youtu.be/Gbajf_rHzys

With four healthy, fun-loving boys driving a red London double-decker bus across Europe, and picking up four pretty, spirited girls along the way, I spit up my Trader Joe’s three buck chuck wine when one of the girls suggested, “Gosh, the boys have been so good to us, we should think of a way to show them our thanks.” But Summer Holiday isn’t that sort of movie, so off to dinner they all go, where everybody dances to choreography by Herbert Ross, who later directed Petula Clark in the remake of Goodbye, Mr. Chips.

Summer Holiday has a devoted following, and I enjoyed it a lot, but what interests me the most is that the movie premiered in London in February ’63, the same month that the Beatles’ second single, Please Please Me, was released in the UK.

‘The Young Ones’ and ‘Summer Holiday’ both proved the second top box-office earner at British cinemas for 1962 and 1963 respectively, and garnered much critical praise. By the time ‘Wonderful Life’ was premiered at the Empire Theatre, Leicester Square, on 2 July 1964, however, the spontaneity and freshness was judged to have gone. Ibid.

A Hard Day’s Night premiered at the Pavilion Theatre in London only four days after Wonderful Life, to universally rapturous critical praise and financial success.

What precipitated the sudden fall from grace? In truth, Cliff’s time had passed; there were new kids on the block and the boy from Lucknow, India, together with his traditional pop musicals, were about to be drowned out by the twist and shout emanating from Mersyside. Ibid.

I’m a Cliff Richard fan, and as I said before I really enjoyed Summer Holiday. The older I get the more I am able to appreciate things for what they are, rather than pay attention to what they are not, like that $3 Charles Shaw wine from Trader Joe’s. 😉 I feel the same way about another movie that provides a good contrast to the Beatles. In fact, it’s a Beatles movie itself, except it’s really a Bee Gees movie with Peter Frampton — Sgt. Pepper’s Lonely Heart’s Club Band. The movie is as much an artifact of its year, 1978, as Summer Holiday is representative of 1963.

http://youtu.be/bFRt5TQdQCI

Thanks to a nudge from tastewar, I watched Sgt. Pepper’s Lonely Heart’s Club Band on DVD, and if nothing else I’m not surprised the songs were produced by George Martin and engineered by Geoff Emerick, because the sound is really excellent. The story is ridiculous, but the songs are worth the visit. The Bee Gees and Frampton were huge stars when they agreed to make this movie. I don’t know if Robert Stigwood had a contract that forced them to do it, or if they simply wanted to be proxy Beatles, but the Bee Gees really nail a lot of the songs, although Frampton’s singing is a bit weak in spots.

When watching this movie it must be remembered that it was made only a few years after the wild and crazy Tommy, and there’s also no avoiding a comparison with Across the Universe, Julie Taymor’s generally well-received 2007 film. This clip is I Want You (She’s So Heavy).

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Is that version better than, or even as good as, the same song as presented in Sgt. Pepper’s Lonely Heart’s Club Band?

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