Brit bitch on Mitch

We turn our attention yet again to Mitch Miller, this time for a British perspective on the late musician/talent scout/record producer. As the English news outlet The Independent said in its obituary of Mitch…

Miller loved coming to London. One of his slogans was “Thank God for the British” because he always felt that a record that had failed in America might get a second chance when it was released here. “Cool Water” (Laine), “Christopher Columbus” (Mitchell) and “Where Will the Dimple Be” (Clooney) had been overlooked in the US, but became successful in the UK. “I like the British,” he told the New Musical Express in 1955. “They are not in as much a hurry as we Americans are. They take time out to really listen.”

Russell Davies on BBC Radio 2 (who isn’t BBC TV’s Russell T. Davies) spent fifteen minutes of his Sunday programme talking about Mitch, and he played Rosemary Clooney singing a very odd novelty song, “Where Will the Dimple Be?” which was a #7 hit in England.

[Audio:http://www.dograt.com/Audio/2010/AUG/RussellDavies.mp3]

Davies points out that Thurl “Tony the Tiger” Ravenscroft (“You’re a mean one, Mr. Grinch”) is credited for singing bass, and thanks to 78s4FR on YouTube we can see the original record label as it appeared in England in 1955.

Frank’s hot dogs

Recently I posted a couple of items about Mitch Miller. It’s been said that the low point of Frank Sinatra’s recording career was towards the end of his contract with Columbia, when Miller had him record Mama Will Bark. Cactus Lizzie wrote to say…

WCBS New York is doing “the dog days of summer” today on-air. They mentioned “Mama will Bark” and said it was available for review on their web site. There’s a write-up of it here at this link below, and the video which they took from YouTube.

http://wcbsfm.radio.com/2010/08/12/mama-will-bark/#more-14660

http://www.youtube.com/watch?v=JRNRaMToK1g

Follow-up: Denro saw Cactus Lizzie’s comment about the flip side, “I’m A Fool to Want You”, and he says…

Here’s a link to the 1951 version. Mitch may have made him record “Mama” but he also let him record and release this song — co-written by Sinatra himself (one of the few). By the way, Mitch remembers Frank being okay with recording it at the time. He seems to be having some fun with it and even gets a good last line in. It’s no better or worse that some of the stuff that Perry Como or Rosemary Clooney were doing during the same period. The worst part was probably having Dagmar try and do the vocal, in retrospect an early TV flash-in-the pan. That’s the real novelty part. Then again, it’s still pretty poor!

http://www.youtube.com/watch?v=fEQm–gWvfA