Tag: mitch miller

Brit bitch on Mitch

We turn our attention yet again to Mitch Miller, this time for a British perspective on the late musician/talent scout/record producer. As the English news outlet The Independent said in its obituary of Mitch…

Miller loved coming to London. One of his slogans was “Thank God for the British” because he always felt that a record that had failed in America might get a second chance when it was released here. “Cool Water” (Laine), “Christopher Columbus” (Mitchell) and “Where Will the Dimple Be” (Clooney) had been overlooked in the US, but became successful in the UK. “I like the British,” he told the New Musical Express in 1955. “They are not in as much a hurry as we Americans are. They take time out to really listen.”

Russell Davies on BBC Radio 2 (who isn’t BBC TV’s Russell T. Davies) spent fifteen minutes of his Sunday programme talking about Mitch, and he played Rosemary Clooney singing a very odd novelty song, “Where Will the Dimple Be?” which was a #7 hit in England.

[Audio:http://www.dograt.com/Audio/2010/AUG/RussellDavies.mp3]

Davies points out that Thurl “Tony the Tiger” Ravenscroft (“You’re a mean one, Mr. Grinch”) is credited for singing bass, and thanks to 78s4FR on YouTube we can see the original record label as it appeared in England in 1955.

By the old Miller stream

More vis Mitch Miller, compliments of Denro:

This the 1st song from the 1st “Sing Along With Mitch” album, from 1958. The odd thing, which I didn’t realize, is that the album contains several WW II era songs!!! He knew his audience — so he did songs from their childhood, their parents’ era and their own adulthood! “Don’t Fence Me In” and “Bell Bottom Trousers” are on there, alongside “The Old Mill Stream” and “Silvery Moon”.

This was how Miller started the sing-a-long craze? But it’s such a sad song! How sad is it? It’s “Snoopy with a root beer” sad!

Frank’s hot dogs

Recently I posted a couple of items about Mitch Miller. It’s been said that the low point of Frank Sinatra’s recording career was towards the end of his contract with Columbia, when Miller had him record Mama Will Bark. Cactus Lizzie wrote to say…

WCBS New York is doing “the dog days of summer” today on-air. They mentioned “Mama will Bark” and said it was available for review on their web site. There’s a write-up of it here at this link below, and the video which they took from YouTube.

http://wcbsfm.radio.com/2010/08/12/mama-will-bark/#more-14660

http://www.youtube.com/watch?v=JRNRaMToK1g

Follow-up: Denro saw Cactus Lizzie’s comment about the flip side, “I’m A Fool to Want You”, and he says…

Here’s a link to the 1951 version. Mitch may have made him record “Mama” but he also let him record and release this song — co-written by Sinatra himself (one of the few). By the way, Mitch remembers Frank being okay with recording it at the time. He seems to be having some fun with it and even gets a good last line in. It’s no better or worse that some of the stuff that Perry Como or Rosemary Clooney were doing during the same period. The worst part was probably having Dagmar try and do the vocal, in retrospect an early TV flash-in-the pan. That’s the real novelty part. Then again, it’s still pretty poor!

http://www.youtube.com/watch?v=fEQm–gWvfA

A Mitch in Time

Mitch Miller, the man who seemed to have inspired the formation of countless gay men’s choruses, has died. Miller was a major force in the music industry for many years, and his importance can’t be minimized, but his music wasn’t for me. Twenty years ago, a review I liked of a Mitch Miller Christmas album that had been released on CD was short and to the point — “Welcome to Hell.” Ray Conniff worked with Mitch Miller at Columbia, and I love his album We Wish You A Merry Christmas. I’ve always wondered if that’s Mitch on the cover. (I had a huge crush on the girl when I was a kid, whoever she is.)

I also have an appreciation for the singing of the delightful Lennon Sisters, who were favorites of Lawrence Welk. But there was always something too cloying and mechanically rote for my taste in Mitch Miller’s recordings. His most famous failing was not realizing that the times they were a’changin in the 60’s, when John Hammond brought Bob Dylan to Columbia. But an inability to appreciate talent outside of one’s own taste is something that could be said of many of the old-style A&R (artist and repertoire) men in the music business.

The superb vocalist Jo Stafford worked with Miller. In the persona of the perfectly off-key Darlene Edwards, Jo recorded a dead-on parody of the famous Mitch Miller sound.

[audio:http://www.dograt.com/Audio/2008/AUG/BabyBumbleBee.mp3]