Three ages of K3

K3 - the world\'s best pop music
Kristel Verbeke, Kathleen Aerts, Karen Damen

More with the best pop music group in the world today — K3. Here’s a good write-up on the group, written and not translated, in English. But it neglects to highlight how K3’s image was changed after they were picked up by Studio 100 in 2002.

Flemish vocal pop group K3 were brought together by producer Niels William, a former Belgian recording artist himself. Having auditioned and assembled Kathleen Aerts, Kristel Verbeke, and Karen Damen, choosing the band name K3 was the easy part.

With all three trio members having cut their teeth either in television or recording, it was not long before the ladies took to the studio. Their first single, “Wat Ik Wil” (What I Want), was well received, but did not turn the group into an overnight sensation as had been hoped. K3’s follow-up single, “Heya Mama,” fell short of the mark yet again, mocked by judges in pre-qualification for Eurosong in 1999, prior to its release. The group decided to release the track anyway, and scored a major hit. “Heya Mama” spent 30 weeks at the top of national charts, achieving gold record status.

K3’s debut album, entitled Parels (Pearls), featured the group’s previously published singles and went gold in presales alone. The band’s next record, Alle Kleuren, hit shelves in September of 2000, landing even more impressive sales than its predecessor. A merchandising frenzy ensued, including plans for a movie, TV series, clothing, and even K3 dolls. The band’s 2001 release, Tele-Romeo, and hit single by the same name reached new teen sugar pop heights, hitting double platinum in presales.

Though skeptics claimed that the market could never sustain the meteoric trajectory of the adolescent bubblegum trio, K3’s steady rise to international stardom continued with “Popstarr”, followed by “Kuma He”, which landed on Billboard’s European Top 100. ~ Evan C. Gutierrez, All Music Guide

Against the odds, K3 have gone from survivors to thrivers. Like the Eurovision judges, I’m not crazy about “Heya Mama”, but it was their big break-out hit. Let’s go back nearly ten years and see young K3 before they had their style figured out.

[flv:http://www.dograt.com/Video/2008/OCT/K3HeyaMama1.flv 440 330]

The next video is after Studio 100 had gotten hold of them. The costumes match, but they’re still a bit young and not quite how I think of K3.

[flv:http://www.dograt.com/Video/2008/OCT/K3HeyaMama2.flv 440 330]

Now this is K3! An amateur video from this past May.

[flv:http://www.dograt.com/Video/2008/OCT/K3HeyaMama3.flv 440 330]

Searching for a secret in “The Searchers”

There’s a notion that the great, old movie directors who got their start in the silent era had something more to offer, because of their experience telling stories visually. John Ford is one example who’s often cited, and with good reason.

Watch the first five minutes of The Searchers. There’s a deep, dark secret in here that explains the entire movie. The answer will be published automatically on Monday at 4 pm ET.
[flv:http://www.dograt.com/Video/2008/OCT/TheSearchers.flv 448 252]

Bose Wave MP3 Test

You may recall that a while ago we had to replace our defective Bose Wave that broke after only six weeks of light use. It cost us $25 to ship it back, which bugged me, but so far the new one has been working all right. Yet I remain wary, because I’ve seen “disc error” flash a couple of times when ejecting a disc.

Until now I hadn’t tested the MP3 playback of the Wave. So I burned a data CD with five hours of high quality MP3 files. You’ll never guess what’s on it. 😉
[flv:http://www.dograt.com/Video/2008/OCT/BoseWaveMP3.flv 440 330]

The Petula Clark/Steve Ditko Connection

Was Petula Clark ever featured in an American comic book? Yes, but it wasn’t a very good one, and I’d be surprised if she even knew her picture had been used.

Charlton Go-Go, 1967

The comic was a short-lived title called Go-Go, and it was an attempt by bottom-rung comics publisher Charlton in 1966-1967 to do a humor comic. Charlton was where Steve Ditko, Spider-Man co-creator and artist, went after leaving Marvel Comics in 1966. Ditko had previously done work for Charlton, before joining the Mighty Marvel Bullpen.