A Massachusetts Mutual Savings Bank can be too small to fail, thanks to the Depositor’s Insurance Fund. Unique to Massachusetts, the DIF fully covers all deposits above the FDIC’s $250,000 limit.
The catch is, a member bank’s total assets can’t exceed a certain amount. The DIF doesn’t disclose the limit, but one of the banks I worked with when managing my late parents’ Trust exceeded it a couple of years ago, and is no longer a member.
The bank is in the process of transitioning to a new CEO, who is interviewed starting at 42 minutes into this podcast. One of the interviewers is my old high school classmate, Tom Moroney.
Bill Griffith’s Zippy the Pinhead is no longer included in the comics section of the Washington Post phone app, although it continues to be listed on the Post’s Website.
Zippy appears in the daily, but not the Sunday, edition of The Boston Globe. As explained a year ago, I stopped subscribing to the Globe, preferring to read the print edition at the local public library.
For a long time, Bill Griffith has been working on a graphical biography of Nancy cartoonist Ernie Bushmiller. It’s scheduled to be published in August. Griffith wrote and drew two previous biographies. One of them tells the strange tale of Schlitzie, the inspiration for Zippy. Schlitzie was a circus and carnival sideshow performer who was born with microcephaly.
The other book is both biographical and autobiographical. It’s the story of his mother’s long affair with a writer and not very good cartoonist named Lawrence Lariar. A charitable way of describing Lariar’s drawing style is to say that it was “old school.”
There is much more about Bill Griffith and his work over at Gil Roth’s Virtual Memory Show.
In one of the Roth’s interviews with Griffith I was both relieved and reassured to hear what he said about Roy Lichtenstein.
Compare that comment to something Griffith says in the documentary, WHAMM! BLAM! Roy Lichtenstein and the Art of Appropriation.
While going through some old books, I realized that I happen to have one that was edited by Lariar while he was involved with Griffith’s mother. It’s a collection of cartoons from 1966. Here are the opening pages.
Optical media is played outwards from the inner tracks. Records can be made to play the same way. Doing this makes it easier for a cartridge to track the end of a recording that is especially loud and/or has a lot of bass.
After computer graphics took over special effects in movies, the old way came to be called practical effects. Asteroid City has a cornucopia of wonderfully conceived and beautifully detailed models and miniatures.
“Freight Train” in the movie is a Skiffle record from 1957. It was released in England a few months before Paul McCartney joined John Lennon’s Skiffle group, the Quarrymen.
Remember Joe the Plumber? Joe wasn’t actually a plumber, but he knew which way the political wastewaters were flowing, being an early Trump for President supporter in 2008.
Today I took a turn at playing plumber. In true plumbing fashion, with my pants riding em-bare-ass-ing-ly low in back, I installed a new kitchen faucet.