Category: Comic Books

Watched

Today Eric and I saw “Watchmen,” and being a fan of the comic book series I have to say that although I have my quibbles with it, the movie is as faithful an adaptation as I think can be done. So I have no complaints. It may not have any performances of Heath Ledger caliber, but so what? The movie’s weaknesses are only those that are built into the source material. The sequence for the opening credits is superb.

There’s an adjunct DVD that’s out for “Watchmen,” called “Tales of the Black Freighter,” with material that (wisely) wasn’t included in the movie. Here’s a preview.

The Black Freighter is a reference to something in Kurt Weill’s “Threepenny Opera” (thanks to my friend Morris for that tip). The author of “Watchmen”, Alan Moore, used to do work under the pen name Curt Vile.

Feeling Rand-y

I’ve had my fun knocking the silly pseudo-philosophy of romance novelist Ayn Rand, and last night Stephen Colbert spent six minutes taking on the Rand Illusion.

Legendary comic book artist Steve Ditko, co-creator of Spider-Man and creator of Dr. Strange, has been a follower of Ayn Rand’s Objectivism for over forty years. This drawing is from a story he drew last year. The woman bears an unmistakable resemblance to Ayn Rand, which is ironic because the character is a villain.

(c) 2008 Steve Ditko

Motion Picture Funnies

Rotoscoping is an animation technique that’s been around since 1914, when it was patented by Max Fleischer. It’s done differently today, of course, but the underlying idea — taking live action footage and making it look like a drawing — remains the same.

I can’t think of an instance where the Disney studio used it while Walt was alive (the integration of live action and animation doesn’t count), although film was often used as an animation guide by Disney artists. Disney was wise to stay away from rotoscoping, because, like anything, it can be overdone and/or misapplied as was the case with Ralph Bakshi’s mostly awful version of Lord of the Rings.

The distinctions between comics and cartoons and live action movies with digital effects are now so blurry as to be indistinguishable. In the future will still picture comics even exist as anything other than a niche, and for movie storyboards?

The Peanuts Motion Comics I talked about a couple of posts ago were done in Flash animation that obviously required no live action for reference. (They’re fun, by the way, and were based on 1964 comic strips that were some of the best material Sparky Schulz ever wrote.) Marvel Motion Comics are done in a similar way, but they’re much more detailed, of course, and they display the darker tone that everybody now associates with Marvel Comics.

[flv:http://www.dograt.com/Video/2009/MAR/MarvelMotionComics.flv 480 360]

The first serious full-length movie to go all-out with Flash animation is Waltz with Bashir, which is brilliantly realized, but was obviously based upon live action source material, despite claims to the contrary that I’ve read. I’d also suggest taking a look at the clip from “Men in Black” (not the Will Smith movie) that I posted a couple of years ago.

[flv:http://www.dograt.com/Video/2009/MAR/WaltzwithBashir.flv 480 270]

As I said, rotoscoping and its variants can be overdone. The ad agency that produced the new series of Charles Schwab commercials seems to have jumped on the Flash animation bandwagon, but it’s a misuse of the tool. This creepy image is supposed to make nervous investors feel more confident in a brokerage firm? Yuck!

[flv:http://www.dograt.com/Video/2009/MAR/CharlesSchwab.flv 480 270]

D.F. Rogers, Con Man

Last weekend, D.F. Rogers was at the NY Comic Con. The big surprise was seeing Gene Colan there. Last May and June, Gene was at death’s door, but Gene is still with his family who love him and his fans who admire him, and for that we are all grateful. Dennis sent some photos from the show, with captions.

Gene Colan with Captain American #117 page

Gene Colan checking out something I acquired at the convention — a page of original art from Captain America #117, penciled by Gene forty years ago. This is the issue that made me a Marvelite and True Believer!

Joe Sinnott with Captain America #117 page

Joe Sinnott holding the page from Captain America #117. Joe didn’t ink Gene Colan often enough, but this was one of their best (and earliest) collaborations. Joe said that he loved to ink Gene’s pencils because he could do a lot of brushwork on those patented Gene Colan shadows. Two of my all-time favorite artists — and people! I never fully realized until recently that they, along with the immortal Stan Lee, produced the issue that hooked me on Marvel Comics!

D.F. Rogers with Gene Colan

Gene Colan and D.F. Rogers at the 2009 New York Comic Con. It was a dream come true to see Gene back at the Convention after a one year absence due to health issues. He had a steady line of admirers who stopped by to say hello and get their art or comic books signed by Genial Gene.

D.F. Rogers with Joe Staton

Joe Staton and D.F. Rogers with two pages of art that I purchased from Joe. Archie published a four part “modernization” of Jughead last summer – with art by Joe Staton and Al Milgrom. This is the first page splash and the last page splash — fun stuff! It just came out a few weeks ago in a trade paperback and the art is reproduced much better there than in the original “digest” sized issues.

Thanks, Den! That reminds me. I have a couple of pictures of my own to show, from the NY convention back in November. Here I am holding the original Iron Man art to the cover of the Marvel Comic Tales of Suspense #93, drawn by Gene Colan. It could be mine — for only $42,000! I’d be tempted, but Eric starts college the fall of 2010.

DOuG pRATt holding TOS #93 cover

I’ve always had a particular fondness for that comic book. Here’s a cropped, high-resolution panel scan from a page of the TOS #93 interior original art. Ya gotta click to enlarge it, y’know…

Original art from Tales of Suspense #93

… and this is artist David Lloyd, who illustrated Alan Moore’s famous political thriller “V for Vendetta,” which was later made into what I think is pretty darn good movie.

David Lloyd with \

Waiting and Watching

The best comic book series I ever read was Watchmen. Now the movie of it is about to come out. I agree with everything that Boston Globe movie critic Ty Burr says about his own sense of anticipation.

http://www.boston.com/ae/movies/blog/2009/02/the_watchmen_wa.html

I thought 300 was one of the worst movies I’d ever seen. I scanned through most of it on DVD. Something I’m worried about for a general audience is that a full appreciation of Watchmen requires a vast knowledge of the history of comic books and their creators. Everybody knows Batman, but almost nobody knows that Dr. Manhattan was adapted from Captain Atom, and Rorschach is based on the work of Steve Ditko.

Who Watches the Watchmen?