Dilbert Has No Mouth

I’m not a gigantic fan of Dilbert.  I enjoy the strip, I almost never miss it, and I think it actually provides some valuable lessons for my son Eric, who’s a fan of it.  But for me it’s a bit impersonal.  Which is, I know, the way things are supposed to be in the workplace.  But still, like Beetle Bailey, I don’t feel a personal connection to Dilbert the way I do to Calvin and Hobbes, or Peanuts or, until a few years ago, Doonesbury.

It’s been a while since I checked Scott Adams’ blog, so a tip of the toupee to friend “Tom Tastewar” for pointing out this item.

As regular readers of my blog know, I lost my voice about 18 months ago.  Permanently. It’s something exotic called Spasmodic Dysphonia.  Essentially a part of the brain that controls speech just shuts down in some people, usually after you strain your voice during a bout with allergies (in my case) or some other sort of normal laryngitis.  It happens to people in my age bracket.

Frankly, at first I thought it was a put-on.  It seemed too strange and ironic, because Adams draws Dilbert without a mouth.

Immediately I thought of idiot former disk jockey Rush Limbaugh’s deafness, which turned out to be induced by prescription drug abuse.  But Adams seems to be sincere, so I’ll take him at his word.  I guess I feel a bit embarrassed that I didn’t already know about this!

Comics Coverage

Last week I highlighted an article from The New York Times about a unique double-museum exhibit on cartooning and comics in New York and New Jersey.  And now Newsweek has an article about the same exhibit.  It mentions the now-defunct Museum of Cartoon Art in Port Chester, NY.  I visited the museum in September, 1978 for Marvel Comics Day.  Veteran pros John Romita, Marie Severin and John Buscema were very nice to meet.  Younger professionals, who were nevetheless older than myself, were not so nice.

Eric’s Animé Pick

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This time around is the opening to Azumanga Daioh, along with a couple of gags.  Azumanga Daioh is so totally nonsensical it defies description.  Originally a 4-panel comic strip, it was then turned into a daily 5-minute Animé for TV.

Since this video preview is already wacky, for contrast I’ll tack on a single-gag cartoon done of the 4-panel comic strip Peanuts, way back in 1963.  This was some of the first animation produced to test Charlie Brown and the gang for television.

Accurate Color

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This week’s Spider-Man comic, inserted in the Sunday paper, starts reprinting issue #5, from 1963. Spidey is hopelessly mis-matched, battling Doctor Doom, one of the principal character inspirations for Darth Vader.

I was impressed that the colorist for this little freebie comic made the TV a black & white set, as it was originally, 43 years ago; emphasizing that the comics were in color, but TV (for the most part) wasn’t. Nice touch.

Sparky

I’m a very big admirer of the late cartoonist Charles Schulz.  Someday I’ll visit The Charles M. Schulz Museum.  The museum has released a DVD of the long-neglected 1963 TV show, A Boy Named Charlie Brown.  How neglected?  It was never shown!

I’m providing 2 minutes of footage from the show as an enticement for you to buy it.  His ideas were very similar to those of Fred Rogers, don’t you think?
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Order the DVD here.  Unfortunately, the museum doesn’t take orders online, and you’ll have to click the “Videos” link to see the ordering information for the DVD.

The show also includes the first Peanuts animation, done a full two years before the ground-breaking special, A Charlie Brown Christimas.  For a measly $15, anybody who is interested in the work and life of Schulz must have this unique DVD!

Feed Me My Strips

A blogger named Ian “iSnoop” Anthony has come up with a nifty and free service that lets you pick comic strips for delivery via e-mail.  He calls it the Comic Strip Snagger.  It was offline for a while, but it’s working again, so give it a try.  Not every syndicate makes its comics available for this sort of access (RSS feed), but there’s still a nice collection to choose from.