Prudence Berry Bury

Here is another take of Prue Bury’s ex-husband, Terry Hooper, from the DVD of “A Hard Day’s Night.” There are a few seconds of the familiar scene with Prue, Pattie Boyd and Paul McCartney, along with a tantalizing, all-too-brief 5-second candid clip of Prue having her hair fussed over by Betty Glasow.

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As you can see, Prue’s name is misspelled, but at least it was done phonetically.

I pronounce it Berry! A curious name as my father was Belgien !!

A friend from Belgium tells me that “Bury” is indeed not a typical Belgian name. The spelling error occurs in two other places that I know of. First, elsewhere in the “Making of ‘A Hard Day’s Night'” documentary…

Isla Blair, Prudence Bury, Pattie Boyd

… and also in the book, “A Hard Day’s Night: The British Film Guide“.

AHDN cast list

I wonder if Prue’s name was originally penciled in as “Berry” when she gave it on the set back in ’64, and that’s why the error has been repeated? Today she is Prudence Bury-Fuchs, and she lives in France. Prue enjoys putting on stage shows, and in fact she did one called “Daisy Daisy” (if I have the date right) just this past week.

Prue Bury in \

And here is lovely Prue, performing! As Prue’s fan Lia Pamina says, she’s “so cool!”

Prue Bury and friends

Prudence is tentatively scheduled to appear at a Beatles weekend in Ouistreham Normandie (Normandy), France, this coming November 5-8.

Prue was a model for designer Mary Quant, who popularized the miniskirt. I’d like to ask Prue what she thought of the way that the Sixties youth culture went from high fashion on Carnaby Street in Swinging London, to being grungy Hippies in torn jeans and t-shirts?

I am delighted to have found gorgeous and gracious Prudence Bury-Fuchs, and to get to know her a tiny bit. Here’s to you, Prue! (With a little luck I should soon be seeing you in that other movie you told me about.)

Prue sets her Beatles record true

Prudence Bury attended the Royal Ballet School in London, and she would have continued as a dancer, if her breathtaking beauty had not led her to become a fashion model.

Prue’s Classical background is evident in every way in “A Hard Day’s Night”. Prue has beauty, poise, and refinement that set her apart from the other girls on the train — including, in my opinion, her friend Pattie Boyd.

[flv:http://www.dograt.com/Video/2009/JUN/AHDN.flv 440 330]

It is Prue who leads Pattie when walking to their seats into the dining car. It is Prue who Paul McCartney refers to when he says, “Excuse me Madam” — gesturing to Pattie only when he says “two of us” — and it is Prue who is closest to the camera. Pattie had a word of dialog, but it seems to me that from the point of view of director Dick Lester, visually it is Prudence Bury who was his focus.

So how did Prue come to be in “A Hard Day’s Night”? Her former husband, Terry Hooper, tells his version of the story in this excerpt from a supplementary feature on the AHDN DVD.

[flv:http://www.dograt.com/Video/2008/OCT/TerryHooper.flv 440 330]

Prue takes exception with pretty much every point made by Hooper, and she would like to set the record straight. The following was taken from a message sent to me by Prudence Bury, and with Prue’s approval I put her comments in a ‘bullet’ list.

  • We were not married [during the making of “A Hard Day’s Night”]. This took place in 1965.
  • Terry was a croupier. He had been since I met him in 1958.
  • I attended an audition for the film and met Dick Lester and Walter Shenson.
  • I was chosen along with Pattie to play the part of a school girl on the train, not a screaming teenager.
  • Terry had never met (nor even heard of) the aformentioned men.
  • When during the making of the film Dick said they were looking for a croupier, it was I that suggested Terry, as that was his job.

And there you have it, from the lady herself. I’ll have a more of Prue Bury, including a new photo, in my next post.

Pure Prue

Prudence Bury will be here soon! Please be patient. I’m working out the details with her of exactly what she wants to say, and how it will be said. Don’t expect an extensive interview. It will be brief and to the point, allowing Prue to save her whole story for better, larger venues. She will be appearing at a Beatles weekend in November. More about that later.

If you’ve never known the name of Prue’s character in “A Hard Day’s Night,” it’s Rita. Pattie Boyd played Jean. Now you know!

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No More excuses

I have more posts to publish, but a couple of things have come up, including a surprise bit of correspondence from somebody who I have featured prominently here. I’d like to say more, but I don’t know yet what direction this exchange will take, so for now the prudent thing for me to do is remain silent.

P.S. (24-hours later): Now it can be told. The mystery correspondent is none other than the stunning PRUDENCE BURY herself. I kid thee not. Prue has some things she would like to say, as you will soon see for yourself.

EQ Me Do

I bought The Beatles CD’s when they were released over twenty years ago, but I’ve never much cared for the sound of them. I greatly prefer the British Parlophone LP pressings done by Garrod & Lofthouse, that I collected in the late 70’s and early 80’s.

The first taste of the potential improvement in audio quality was, ironically, the release by Capitol of the American versions of the Beatles records on CD. Later, Love came out, with a further promise of future sonic delight. Which is why I’m pleased that the Beatles catalog has been remastered, and is slated for release on 09/09/09 — the day before my birthday. Once again, as I like to do whenever I talk about the Beatles studio recordings, I recommend to you the brilliantly conceived and superbly realized book, RTB: Recording the Beatles, by Brian Kehew and Kevin Ryan.

Details about the coming CD releases are available on BeatlesNews.com. I am, however, slightly concerned by this comment.

Finally, as is common with today’s music, overall limiting — to increase the volume level of the CD — has been used, but on the stereo versions only.

As I’ve discussed a couple of times before, to cater to the portable music crowd, popular music today is highly compressed. I think CD audio should be kept as close to the original recording as possible, without additional compression. Leveling out the loudness levels for the iPod generation should be done when conversion to lossy compression is done, and not before.

As an example of just how different a recording can sound, depending on the source and equalization, I’ll provide a couple of versions of the Beatles’ first EMI single, ‘Love Me Do’.

Love Me Do cover

This recording was ripped at 192 Kbps from the Beatles Compact Disc EP Collection.

[audio:http://www.dograt.com/Audio/2009/MAY/LoveMeDo_EP_CD.mp3]

This next take, which I prefer, is a transfer from a 1982 45 rpm Parlophone EP, which I also encoded at 192 Kbps.

[audio:http://www.dograt.com/Audio/2009/MAY/LoveMeDo_AndyWhite.mp3]

Both of those recordings feature Andy White on drums, with Ringo relegated to tambourine. Ringo on drums can be heard in this somewhat muffled sounding recording.

[audio:http://www.dograt.com/Audio/2009/MAY/LoveMeDo_Ringo.mp3]

Most of the Parlophone LP’s I have were bought at a long defunct shop in Amherst, MA called Backroom Records. I spent many happy hours in that store, scouring the import and used bins. Buying compact discs never held the same gleeful delight for me, which I guess means I’m showing my age.

The demise of the record store as an entity, and the lamenting of the loss of same by owners and customers alike, is the subject of a documentary called I Need That Record, by Brendan Toller, who is a mere 22 years old. I heard about it last week on WBUR in Boston.

One of the faces seen in that video clip is Mike Dreese, co-founder of Newbury Comics, the granddaddy of Boston record stores, which began as a comic book shop. I happen to have a couple of Newbury commercials, shown during Star Trek re-runs on UHF TV in the 80’s, at the dawn of the CD age.

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Another name associated with Newbury Comics is that of Boston rock/punk scene legend Kathei Logue (yes, “Kathei” is the spelling). I made this video a few years ago to show to Kat, who I had hung out with when I was in high school and she was living with a guy in my town. That was before the days of Punk. Before the days of Disco, even!