Here is another must-see, full-length movie on YouTube. The Monkees in “Head”. It starts with the sublime “Porpoise Song”, written by Carole King and the late Gerry Goffin.
And, yes, that is the ubiquitous Sixties fixture Vito Scotti who shows up 20 minutes into the movie.
Something that Denro and I talk about incessantly is how drastically music changed year-to-year in the 1960’s. The best place to go for a thorough and insightful exploration of Sixties popular music is Andrew Sandoval’s unique and outstanding online show, Come to the Sunshine.
Andrew Sandoval, “Come to the Sunshine”
After Pop gave way to the Psychedelic shake-up of 1967, 1968 was the year when underground FM stations started to take over the older teen market. The influence of FM on AM could be heard in records like this one, which became an unlikely top 20 hit.
What made underground, aka Hippie, radio possible in the Sixties? The same thing that was behind other 60’s happenings like NASA, the pre-Internet Arpanet, and the Vietnam War. The United States Government, that’s what.
To promote the adoption of FM stereo radio, on January 1, 1967 an FCC mandate went into effect that required radio broadcasters to no longer simulcast their AM signals over their FM stations. College-aged disc jockeys started to flood the airwaves in major cities, formats changed overnight, and instead of playing the latest singles they played album cuts.
The iconic Boston station, WBCN, had an overnight format change, but it didn’t happen because of the simulcast requirement. What made ‘BCN possible was the desperation of the owner of a failing all-Classical station. Former ‘BCN disc jockey Carter Alan, who is now on WZLX in Boston, has the story in his excellent book, “Radio Free Boston: The Rise and Fall of WBCN.”
A very Happy Birthday for the wonderful Prudence Bury-Fuchs! This is a promotional photo with Prue and Terry, her first husband, after they were married and had moved to New York in 1965.
Prue and Terry Hooper, New York, 1965
They were promoting the Youthquake fashion campaign, about which I’ll have more later.
There is a new Blu-ray release coming from Criterion of A Hard Day’s Night. I’m very pleased to see that Criterion includes Prue in the cast list.
A week already since I posted something. Being Sunday again, my usual routine is to listen to the Beeb, and today’s Johnny Walker’s Sounds of the 70’s on BBC Radio 2 featured Mike McGear, otherwise known as Paul McCartney’s kid brother, who played a bit of “Lily the Pink.” Mike’s on the left in this video, with a song he and his mates in the Scaffold put out in 1968.
Before Lily, the Scaffold had this ditty. I knew these records from WBCN in Boston, which was the first American outlet for Monty Python.