Mick Jagger sitting at the feet of Paul McCartney — where he belonged. 😉
The 40-year-old case of Brian Jones’ death is being pried open.
http://www.boston.com/ae/music/articles/2009/08/31/uk_police_to_review_rolling_stones_guitarist_death/
I’m somebody who thinks there’s nothing more to it than, “a coroner said Jones drowned while under the influence of alcohol and drugs,” but this gives me an excuse to say something about the Rolling Stones.
At some point in 1970, in my anguished early-mid adolescence, I realized I’d stopped caring, at a visceral level, about the Rolling Stones. It happened when I developed a deep, personal relationship with The Who. Later, I came to realize my waning interest in the Stones had also coincided with the disappearance of Brian Jones from the lineup.
Much of what I respond to in the Rolling Stones are the sounds and flourishes contributed by Brian Jones. Go back to my post at this link to hear an early example of what I’m talking about.
Some critics fault the Stones’ psychedelic period as being insincere and full of “us too” efforts, but these are some of my favorite recordings, thanks to Brian Jones. The delightful “Dandelion” wasn’t released until the Summer of Love in ’67, but it had been recorded in late ’66.
[audio:http://www.dograt.com/Audio/2009/SEP/Dandelion.mp3]
A favorite Stones psychedelic single is “She’s a Rainbow,” b/w “2000 Light Years From Home.” I’ve got to believe that Jones is all through both of these tracks.
[audio:http://www.dograt.com/Audio/2009/SEP/Rainbow.mp3,http://www.dograt.com/Audio/2009/SEP/2000LightYears.mp3]
I’m not an expert on Rolling Stones studio recordings, but the last notable release that sounds like it bears the distinctive Brian Jones brand is “Child of the Moon.”
[audio:http://www.dograt.com/Audio/2009/SEP/ChildMoon.mp3]
Jones was undoubtedly played out and had nothing further to contribute, but once he was gone the Stones did only one more standout — “You Can’t Always Get What You Want” — and then, for me, it was downhill from there. What they were lacking without Brian was a feeling of creativity and musical expression. Oh, I thought “Sticky Fingers” was a great record — especially with the original zipper sleeve gimmick — but it didn’t take me over like “Who’s Next” would. And I enjoy “Exile on Mainstreet,” but I’ve never played it as more than background music.
