As a follow-up to my tribute to the late Norman Hurricane Smith, the Beatles’ first recording engineer at EMI, I’ll send you over to this link, where Seth Swirsky tells of his meeting with Norman.
Also The New York Times has a good obituary for Norman, with some details I haven’t seen elsewhere, including confirmation that the alias Hurricane Smith came from the title of a 1952 movie. At this link.
This is my third, and saddest, post about Norman Smith. My previous posts are here and here.
When I first heard the name Hurricane Smith, I didn’t know it was the title of a 1952 Yvonne DeCarlo movie, and I still don’t know for certain if Smith borrowed it for his pseudonym. But before I knew who he was, or anything else about him, I loved listening this song.
[audio:http://www.dograt.com/Audio/2008/MAR/OhBabeWhatWouldYouSay.mp3]I transferred that from an original 1972 45 rpm single. As Hurricane Smith, Norman scored big with this international hit, ‘Oh Babe, What Would You Say?’ This is the flip side, ‘Getting to Know You.’
[audio:http://www.dograt.com/Audio/2008/MAR/GettingToKnowYou.mp3]
It wasn’t until many years later I learned that under producer George Martin, Smith had been The Beatles’ first recording engineer at EMI’s Abbey Road studios. In fact, Norman was among the first studio professionals to hear something special in the Fab Four’s music, as described in this quote about their ‘artist test’ recordings at EMI, from The Beatles Recording Sessions, by Mark Lewisohn.
Paul sang ‘Besame Mucho’, the Latin crooner, then they layed down three Lennon-McCartney originals, ‘Love Me Do’, ‘P.S. I Love You’ and ‘Ask Me Why’. It was during ‘Love Me Do’ that Norman Smith pricked up his ears. “Norman said to me ‘Go down and pick up George [Martin] from the canteen and see what he thinks of this’,” recalls [second engineer Chris] Neal.
Of his first encounter with The Beatles, Norman had this to say.
They had such duff equipment. Ugly, unpainted wooden amplifiers, extremely noisy, with earth loops and goodness knows what. There was as much noise coming from the amps as there was from the instruments. Paul’s bass was particularly bad and it was clear that the session wasn’t going to get under way until something was done about it.
Spoken like a true recording engineer! First step: getting the gear right. In Lewisohn’s The Beatles Recording Sessions, Paul McCartney said…
Norman Smith was a great engineer, we were all so sad when Norman became a producer because we wanted him as our engineer, he was dynamite. Geoff was dynamite too, in fact that was the great thing about all of the EMI guys. Training. Anyone you get who’s been EMI trained really knows what he’s doing.
‘Geoff’ refers to Geoff Emerick, whose second day on the job at EMI happened to be the very first studio session by the Beatles, after George Martin decided to sign them to a recording contract. I previously featured Emerick’s memoir, Here There and Everywhere in this post. Geoff wasn’t at the artist test recording session, but he heard this about it.
Richard [Langham, assistant engineer] had heard good things about the Beatles’ artist test, too, and not just from Chris. Apparently there was quite a buzz around the studio about them…”
Norman Smith was the Beatles’ recording engineer through the Rubber Soul sessions. By then, in his 40’s, Smith wanted to be a full-fledged record producer, and as Emerick recalls…
I can equally understand George Martin’s adamant refusal to allow Norman to receive the promotion and remain as the Beatles’ engineer.
Smith felt he was onto something with his discovery of a new and unusual band called Pink Floyd, and indeed he was proven right. He produced three of their first four albums. It was Smith’s departure that made it possible for Emerick to be promoted to Engineer. From that point on, his recording techniques defined the sound of Beatles records.
This is a recent snapshot of Norman Smith with the authors of the RTB Book: Recording The Beatles, Brian Kehew and Kevin Ryan. Before I wrap up, I’ll embed this video of Hurricane I spotted on YouTube.
[flv:/Video/2008/MAR/HurricaneSmith.flv 440 330]
Norman Smith, 85, recording engineer and recording artist, died on March 3 at his home in Rye, England. Goodbye, Hurricane.
March 17, tickets go on sale for Petula Clark at Mohegan Sun, in Connecticut, on Mother’s Day. It’s about an 80-mile drive from home. I’ve never seen her live, and I’m certainly hoping to be there.
(That’s a screen grab, so it isn’t clickable.)
I would like to direct your attention over to Brian Sibley’s blog, where, at this link, he has written a lovely piece promoting the Dame Petula Clark PET-ition. Being an Englishman born and bred, his input should pack a bit more welly than my Boston-based entreaties. Thank you, Brian. (Just reading his stuff compels me to write with more style than my usual pedestrian prose!)
We’re getting close to March 12! That’s the last day for UK citizens and residents to e-sign Irene Seaton’s PETition for Prime Minister Brown to recommend Petula Clark be awarded the title of Dame.
Today the post (to use the UK vernacular) brought quite a surprise. A large envelope from The International Petula Clark Society in England. Thank you, Terry Young and Bonnie Miller! The contents include a lavish program book from Pet’s appearance at Theatre Royal on November 26, 2006 with the BBC Concert Orchestra. November ’06 was also when the BBC broadcast Petula Clark: Blue Lady. You can watch it at this link.
My wondering eyes also beheld an autographed 8×10 glossy photo. These days, images developed on photographic paper are becoming increasingly rare, and this scan just doesn’t do justice to the image quality of this lovely, suitable-for-framing portrait.
Here’s a Petula Clark song from 1967 that you may not have heard in a while. I remember it from listening to WABC in NYC.
[audio:http://www.dograt.com/Audio/2008/FEB/CatInTheWindow.mp3]Radio station am740 in Canada featured Petula on its Applause show shortly before her birthday. Here it is.
[audio:http://www.dograt.com/Audio/2008/FEB/PetulaApplause.mp3]A few weeks ago I posted a picture of two sisters, backstage with The Beatles at the Ed Sullivan Show. Who at CBS, I asked, would have had enough clout to arrange such a meeting? I received several e-mail requests for the answer. Here are the girls, Nancy and Kathy Cronkite, with their father.
Walter Cronkite takes credit for having shown a news clip about The Beatles that caught the attention of Ed Sullivan. And the rest is, of course, history. I extend my sincere thanks and appreciation to CBS News for providing this video.
© 2007 CBS Worldwide Inc.[media id=229 width=440 height=350]
