Category: Petula Clark

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Here’s a big 5-year jump from the last post. I wish there were more material available from the years in between, because I’d like to know exactly when Pet was put on the wrong track after she outgrew her singing sweetheart days. Most likely it was the fault of her domineering manager-father.

Everything about the way Petula is presented in this 1954 film, with the unfortunate title “Gay Dog,” doesn’t work. She looks 30, not 21. The dress and the hair were undoubtedly the style de rigueur, but the look doesn’t suit her. Based on this clip alone it’s apparent her movie career was going to stall in England.

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After the silly kiddie stuff in The Huggetts Abroad, Petula was able to play a romantic role in Don’t Ever Leave Me, also from 1949. I hope her hair was done this way intentionally as part of the plot — otherwise, they should have fired Pet’s hairdresser!

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The next video in the Petula series is from the 1949 movie, The Huggetts Abroad; abroad being South Africa. This song, “Doodle Oodle Day”, is even sillier than the nonsensical “Walking Backwards” in the previous post.

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As promised, here is the start of a Petula Clark video retrospective. This brief scene is from 1948, with Pet at 15 in Here Come the Huggetts, the first in a series about the fictional Huggetts family.

Pet was England’s “Singing Sweetheart,” and she seems here to be a cross between Shirley Temple and Judy Garland. She carries it off, but having sifted through more than 30 video clips of Petula, it seems she had to be quite a chameleon to keep her career moving. I would conjecture the real Petula didn’t show herself until she was closing in on 40.

When I was a kid, Petula Clark songs were special. The records had a characteristic sound that was somehow European, but less obviously so than Shirley Bassey’s “Goldfinger,” which was produced by George Martin. I suppose the psychoacoustic effect of Petula Clark could have have been due to Tony Hatch’s production values, but at the center of it all was Petula, who was attractive to a wide audience, from pre-teens to their grandparents.

Petula Clark, who has had one of the most interesting careers of any singer, was something of a counterpoint to Julie Andrews. Clark and Andrews met in the 1940’s, and while both excelled in acting and singing, Andrews later specialized in musicals while Pet was a singer of Pop tunes.

Back in 1967 an audio essay by Canadian pianist Glenn Gould on the CBC included a segment on Petula Clark. Gould is more than a bit pretentious, but nevertheless this is worth hearing if for no other reason than it’s a critical consideration of Pet from her heyday on the charts, by a professional Classical musician.

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Every so often I’ll be posting more video clips of the fascinating Petula Clark, picking up where I started with this scene from one of her first movies, I Know Where I’m Going! by Powell and Pressburger.

Hi, again. Oh? You really liked that video with Petula Clark singing in French? Hey, great!

But now what? You want more singing in French? And it has to be from France? And you even want somebody who is actually named France?? This is getting ridiculous! But let me look.

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Hmm … How about France Gall? She won the 1965 Eurovision Song Contest with ”Poupée De Cire, Poupée De Son” (“Wax Doll, Sawdust Doll” — or, as some suggest, Wax Doll, Singing Doll”. Or you could go with my favorite, Google’s toolbar translation — “Headstock of Wax, Headstock of Sound”!).

France had a great face for singing. She seemed very pleased with herself that she got all the way through the song without flubbing it.