Back (And Forth) In A Flash

One nice thing about the way embedded Flash video can be done in WordPress is that I can update and, if necessary, downdate the player in a matter of seconds. An update to Jeroen Wijering’s player, version 3.7, was released today. [Link] Unfortunately, it breaks the “overstretch” feature, which is how 4:3 videos that need to be wide are posted in 16:9 format. So it’s back to version 3.6 for now.

Synthetic Sir George

Time BeatWaltz in Orbit

I’ve been trying to find a copy of a 1962 single of partially electronic music, Time Beat b/w Waltz in Time, by Ray Cathode. I’ve placed bids, and lost, for the single on eBay, but fortunately I found these MP3’s on WFMU’s Beware of the Blog. [Link] Here are the tracks.

Ray Cathode – Beat Time
[audio:http://blogfiles.wfmu.org/DG/time_beat.mp3]

Ray Cathode – Waltz in Orbit
[audio:http://blogfiles.wfmu.org/DG/waltz_in_orbit.mp3]

Ray Cathode was a pseudonym for a collaboration between BBC technician-producer Maddalena Fagandini and George Martin, who would sign the Beatles to Parlophone Records just a couple of months later. The recording was made for the BBC Radiophonic Workshop, which was set up to create atmospheric music and effects for radio and TV. The 1963 production by Delia Derbyshire of Ron Grainer’s theme for Doctor Who is undoubtedly the workshop’s most familiar work.

[audio:http://www.dograt.com/Audio/APR07/DoctorWho.mp3]

Low Fidelity, High Quality

Louis Armstrong and King OliverBack in December I mentioned the WGBH radio program The Jazz Decades, hosted by Ray Smith. This Sunday’s show featured some noteworthy restored 1920’s recordings that are of particular interest to Smith — King Oliver’s Creole Jazz Band, with Louis Armstrong.

Smith rhapsodizes at length during the twenty five minutes of the program that are on the audio player, recorded off of my computer’s FM tuner. I fiddled with the dipole antenna for a few moments at the beginning, as will be obvious if you listen.

[audio:http://www.dograt.com/Audio/APR07/JazzDecadesApr1-07.mp3]

Not being a musician myself, I appreciate these acoustic (non-electrical) recordings more for their historical and technical significance, but Smith’s infectious enthusiasm for the virtuosity of the performances is fun to hear. Note: At one point Smith refers to 1933 when he meant to say 1923.

The Horror of Scanning

Here are two scans of the same thing. Pretty picture, huh? Well, one of them is prettier than the other. See the difference? One image I scanned using the Windows Scanner Wizard, the other I did with the software that came with the scanner. The latter is the better-looking one. The difference is from setting the de-screening feature.