Special Guest Post — Petula in Croydon

David Moncur is back home in Scotland, having seen Petula Clark perform live in London on 5 June. Thanks for the report and photos, Dave!

Petula Clark, Croydon, London, 5 June 2008Petula Clark, Croydon, London, 5 June 2008
Petula Clark, Croydon, London, 5 June 2008Petula Clark, Croydon, London, 5 June 2008

Not long back from London, having spent longer there than I anticipated.

The concert was fantastic. Petula was better than I have ever seen her. There are some new songs in the programme…..

From the new album….. “It’s Ok” and “Heaven’s Door” recorded by my friend David Hadzis in Geneva. There is also a beautiful version of “These were the days of our lives”, (Queen). “Memphis”, is amazing, and “Come along with me” is fantastic……

It was also nice to hear “People get Ready” from 1970 back in the concert. I swear it sounded just like the record.

She just keeps on getting better.

I wouldn’t worry about calling her Pet by the way. I’m sure she doesn’t mind it at all from fans…. after all, if you listen to the song “My name is Petula” she does sing…

“Well I been round and round this great big world
And I haven’t heard it said right yet,
So if you’re gonna call me,
And I’d really would like you to call me,
But if you’re gonna call me
Why don’t you call me Pet,
Just Pet!”

Well… she asked for it.

You can hear excerpts from “It’s ok”, and “Heaven’s Door”, on this page.

Hope you’re well

Dave

Slippery Slope

I’m interested in hearing what conclusions come from the various panel hearings in Congress, of the effect that speculators are having on the price of oil. Oil being a worldwide commodity, combined with rising demand in China, and the weak dollar, are factors of course. But the rise being so fast and so steep has me concluding that after the Dot Com bubble burst the money went into real estate, and after that collapsed it’s now in oil.

What Is Illusion?

For over a year I’ve been meaning to watch The Illusionist. We’ve exhausted, for now, the anime series worth watching, so it finally went to the top of the Netflix queue. We really enjoyed The Illusionist. It’s fun in the same way that Sherlock Holmes stories are, but it’s also a romance with a strong fantasy element. Ed Norton and Paul Giamatti are both exceptionally good.
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Hajdu, Don’t Make It Bad


Peanuts, June 22, 1952

Comic books, like the movies, were under attack in the 1950’s. Movie people were accused of being communists, and comic book people were accused of causing juvenile delinquency. A book by David Hajdu, called The Ten-Cent Plague: The Great Comic-Book Scare and How It Changed America, gives some serious thought to what happened and how it influenced later events beyond comic books themselves. Stephen Colbert, who’s obviously a comic book fan, interviewed Hajdu a couple of weeks ago.

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There’s irony in the “TV 14” rating that’s so prominent during Colbert’s introduction. It’s almost like the Comics Code Authority seal that appeared on comic books after the big scare. Oh no! How did that commercial get left at the end of the interview?

EC Comics publisher William Gaines did a lousy job testifying before the Senate Subcommittee on Juvenile Delinquency in 1954. His entire testimony is at this link. He should have emphasized that his horror comics were inspired by radio shows such as Inner Sanctum, Lights Out, and The Whistler. But there was probably no defense against the public sentiment of the day. In a way, losing the comic book business was the best thing that could have happened to Gaines, because he was left with MAD Magazine, which was far more subversive and influential anyway, and it ended up being vastly more successful.

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Crossover Success…. and Failure

More Xuxa? This video features Latin superstar Ricky Martin when he was starting his solo career. He wouldn’t make the jump to success in English until the end of the decade. Xuxa made the attempt only a few months later, and failed utterly. But at the time of this appearance Xuxa was the superstar, and Ricky Martin was the kid who used to be in Menudo.
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Xou de Xuxa

Sociologist Amelia Simpson says in her 1993 book, XUXA: The Mega-Marketing of Gender, Race, and Modernity…

She descends from her spaceship as if it were a fashion show runway, her blondness on display along with her other physical attributes, highlighted by the revealing costumes she never repeats. The ritual of arrival places the star in a glamorous context that conveys the modernity and sophistication of the first world.

I first heard about Xuxa on an NPR segment. My curiosity piqued, the first Xuxa show I saw was also the last that was shown on Univision. It was unlike anything I had ever seen. The cultural differences between mainstream America and Latin America were as stunning as, well, Xuxa herself. The blending of catchy songs, weird games, and an unbelievably flagrant display of hotpants went way beyond the Mickey Mouse Club and boys staring in wide-eyed wonder at Annette Funicello and, my favorite Mouseketeer, Cheryl Holdridge.

See for yourself in this video of Xou de Xuxa I edited from a recording made on January 9, 1993. It’s in Spanish, and not Portuguese, Xuxa’s native language. It features a few songs from the show. They are, like the K3 tunes, exemplary examples of the craft of Pop music.
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