They bopped, they dropped, they’re back

It’s been over 20 years since Bop ‘Til You Drop, the first and, until now, only collection of Arlo & Janis comic strips. Beaucoup Arlo & Janis is here, and it’s worth the wait!

Every phase of the comic strip’s development is represented in Beaucoup Arlo & Janis. If you feel, as I do, that Gene’s early romances are as essential to the strip as his parents’ relationship, you will be as pleased as I am with the book.

I got my copy on pre-order, and now that the book is out it can be ordered at this link. You’ll find almost 1000 daily comic strips on over 250 pages. They’re in black and white, and that’s how Jimmy can sell these hardcover books — printed in Canada, not China, by the way — for only twenty five bucks.

A great job, Jimmy! Your fans know how hard you worked to put this together and make it a reality, and we thank you.

Beaucoup Arlo & Janis

I am very happy to report that cartoonist Jimmy Johnson has published Beaucoup Arlo & Janis, a 256-page, hard-bound collection of over 900 carefully selected A&J comic strips.

If you don’t already know about this, you’ve missed your chance to pre-order an autographed copy, but starting next week Jimmy will open sales to any and all, for the fantastic price of only $25. Arlo & Janis is one of my all-time favorite comic strips, and after years of Jimmy’s fans begging him for a book, I am delighted that he’s made it happen.

Blackbeard’s treasure

Bill Blackbeard was to comic strips what Forrest J. Ackerman was to science fiction — a lifelong, compulsive collector who wrote and edited articles and books about his hobby. Blackbeard’s singular passion was comic strips, and he saved millions of them by rescuing tons of newspapers. They’re all now in the Billy Ireland Cartoon Library & Museum at Ohio State University. Blackbeard died in March, but the news wasn’t widely known until this past week.

At the other end of the comic strip game is the original art market, with Charles Schulz originals commanding premium prices. Heritage Auctions has a Schulz original being sold by the family of the real-life Frieda.

The piece predates Peanuts, but you can see where his work was headed. Its significance is that it seems to prove that Schulz didn’t adopt the four-panel format by choice. The art has only three panels, and Sparky wouldn’t return to doing that until February 29, 1988. Enlarge the image above and you will see that in his early work Schulz inked mostly with a brush, and not a pen as he would later do.

A big admirer of Schulz is cartoonist Jimmy Johnson, whose strip Arlo and Janis has been a favorite of mine for many years. It was introduced in 1985, the same year that Calvin and Hobbes premiered. Arlo and Janis began on July 29, and this photo of Jimmy ran in some of the papers that carried the new strip. The caption reads, “Arlo and Janis Day are anti-Yuppies, the young upwardly mobile who don’t glory in it, says their creator Jimmy Johnson.”

Peanotes

The 60th anniversary of Peanuts is only two months away. Here are some related items of note:

  • Rheta Grimsley Johnson has a new book called Enchanted Evening Barbie & the Second Coming: A Memoir. My copy arrived from Amazon a few days ago. When Rheta was married to cartoonist Jimmy Johnson, she wrote Good Grief: The Story of Charles M. Schulz, the first authorized biography of Sparky. Rheta recently spoke at the Sixth Annual Clarksville Writer’s Conference in Tennessee.
  • A splash of color

    When the Boston Globe started printing its daily comics in color, there were complaints from some readers, claiming to be comic-strip purists, but my only complaint is when the color is printed off-register.

    Here is Arlo and Janis from a few days ago, as it appeared in the Metrowest Daily News. Do the mouse-over thing to see how it appeared in the Boston Globe. The color adds a lot to the mood, don’t you think?

    How much longer will there be printed newspapers? Ten years? Five?