Good Grief!
Green felt, like the Russco turntables had when I was working in radio.
http://www.time.com/time/arts/article/0,8599,2039669,00.html
It’s hard to believe it’s already been three years since the controversial biography Schulz and Peanuts, by David Michaelis. You have until next Tuesday to listen to a BBC Radio 4 feature on Charles M. Schulz.
I’m a bit surprised to hear Jeannie say, “David did a marvelous job…” Russell T. Davies, who brought Doctor Who back from hiatus, chimes in with the factoid that long before the Tardis, Snoopy’s doghouse was much bigger inside than it appeared outside.
The 2010 San Diego Comic-Con is coming up soon. Over on Comic-Convention Memories, there are batches of photos taken at the San Diego con in 1974.
Here’s a pic of MAD cartoonist Sergio Aragonés. No! Wait! That’s not Sergio, it’s Peanuts animator Bill Melendez.
And here’s his de facto boss, Sparky Schulz, when he was — yikes! — a couple of years younger than I am now!
With special guest star, director Frank Capra! Frank Capra?? He attended a comic-book convention in 1974??? That was several years after his autobiography, The Name Above the Title, and ten years before She’s a Wonderful Wife — er, I mean It’s a Wonderful Life — was rescued from public domain abuse and rightly hailed as one of the all-time great movies.
Of his essay “Regarding Schulz and Peanuts,” in The Comics Journal #290, Monte Schulz comments at this link, “I’ve had my say, as I wanted to say it, and that’s it.” In that spirit, I’d like to offer a closing of my own.
When the biography came out last fall, there was something of a companion piece in the form of David Van Taylor’s documentary for the PBS series American Masters, “Good Ol’ Charles Schulz.” I posted a few moments of it at this link, because I feel the emotional core of the program is in the ten minutes about the Schulz family during their years living at Coffee Lane in Sebastopol, California. Here is the complete segment.
[flv:http://s3.amazonaws.com/dogratcom/Video/Schulz/CoffeeLane.flv 440 330]
In my previous entry I included the song “Moon River,” and following the lead of the background music in the documentary, I used Henry Mancini’s recording. But in Monte’s essay he mentions the Andy Williams version, so I’ll toss that one in here.
[audio:https://s3.amazonaws.com/dogratcom/Audio/2011/Nov/AW.mp3|titles=Moon River performed by Andy Williams]