Last weekend, D.F. Rogers was at the NY Comic Con. The big surprise was seeing Gene Colan there. Last May and June, Gene was at death’s door, but Gene is still with his family who love him and his fans who admire him, and for that we are all grateful. Dennis sent some photos from the show, with captions.
Gene Colan checking out something I acquired at the convention — a page of original art from Captain America #117, penciled by Gene forty years ago. This is the issue that made me a Marvelite and True Believer!
Joe Sinnott holding the page from Captain America #117. Joe didn’t ink Gene Colan often enough, but this was one of their best (and earliest) collaborations. Joe said that he loved to ink Gene’s pencils because he could do a lot of brushwork on those patented Gene Colan shadows. Two of my all-time favorite artists — and people! I never fully realized until recently that they, along with the immortal Stan Lee, produced the issue that hooked me on Marvel Comics!
Gene Colan and D.F. Rogers at the 2009 New York Comic Con. It was a dream come true to see Gene back at the Convention after a one year absence due to health issues. He had a steady line of admirers who stopped by to say hello and get their art or comic books signed by Genial Gene.
Joe Staton and D.F. Rogers with two pages of art that I purchased from Joe. Archie published a four part “modernization” of Jughead last summer – with art by Joe Staton and Al Milgrom. This is the first page splash and the last page splash — fun stuff! It just came out a few weeks ago in a trade paperback and the art is reproduced much better there than in the original “digest” sized issues.
Thanks, Den! That reminds me. I have a couple of pictures of my own to show, from the NY convention back in November. Here I am holding the original Iron Man art to the cover of the Marvel Comic Tales of Suspense #93, drawn by Gene Colan. It could be mine — for only $42,000! I’d be tempted, but Eric starts college the fall of 2010.
I’ve always had a particular fondness for that comic book. Here’s a cropped, high-resolution panel scan from a page of the TOS #93 interior original art. Ya gotta click to enlarge it, y’know…
… and this is artist David Lloyd, who illustrated Alan Moore’s famous political thriller “V for Vendetta,” which was later made into what I think is pretty darn good movie.
