Author: DOuG pRATt

Apple-cation

This quote had me spitting up my tea.

“Apple is a very canny company that doesn’t necessarily originate ideas, but its core strength is in the implementation,” said Little. “This what is what Apple is about: it may one day be a first mover, but in most cases it’s a second mover where it has implemented things across a platform and ecosystem in a much, much better way than others do it.”

It’s from this article on the Huffington Post, which has more second-guessing about Amazon’s Cloud Player service. So it’s come to this, huh? Apple is now like Microsoft — an imitator, but an excellent implementer? I don’t think Apple’s at that point yet, with the iPhone and iPad being innovative, market-leading products (I own neither). However, in a couple of recent examples, Apple has been a follower. Apple took Roku’s lead with a small, diskless streaming video player, and Amazon is offering a service that Apple doesn’t. This quote in the article also seems off-the-mark to me.

“I’m not convinced that there is a huge consumer need” being filled by the offering, said Carl Howe, director of consumer research at the Yankee Group. “I have yet to see this as a big deal for consumers. It goes back to whether consumers are looking for a cloud-based music streaming service for music they already own. Do consumers really want to pay more for music they already own?”

The first five gig on Amazon Cloud Drive are free and available for uploading whatever music files you already have — the catch being they need to be MP3’s. (Correction: AAC is also supported.) For $20/year you can get 20 GB of online music streaming. Maybe that’s not enough for an entire music library, but it’s plenty for what you’re currently into hearing. Once Amazon offers Cloud Drive access on other platforms, especially the Logitech Squeezbox Radio and Roku player, it will be servicing my consumer need very well.

Roxette’s got something on the radio

I still don’t know if I’ve ever heard something by Lady Gaga, and I’m not even sure she’s not a guy with a gimmick. But thanks to BBC Radio 2 I know about the music duo Roxette from Sweden, aka: ABBAland. When I first heard their new song, She’s Got Nothing On (But the Radio), with its great Europop sound, I was surprised to learn they’ve been cranking out tunes for 25 years.

Roy Lichtenstein – the master of found art

Roy Lichtenstein couldn’t draw. I’ve seen Lichtenstein paintings in person, in New York, and the sheer scale of them is impressive; but I’m sorry, the man was a total fake. He swiped art done by others, some of them comic book greats, others not so great. In the video at this link (sorry, can’t embed), look for the examples of his early work, and it’s obvious that Lichtenstein was no draftsman, and had to resort to tracing. The latest outrage that has set me off is this news item.

Lichtenstein Drawing Acquired for $10 Expected to Achieve over $1,000,000 at Christie’s

A million dollars for a 6″x6″ drawing that any Silver Age comic book fan can see was traced from a John Romita Sr. panel in a DC romance story! Romita should sue for a cut of the proceeds. Heck, even I can draw better than Lichtenstein. This is a panel I did for a failed comic strip submission many years ago, with a character inspired by John Lennon’s I Am the Walrus.

© DOuG pRATt

It’s no longer acceptable to justify what Roy Lichtenstein did by saying he helped elevate comic books to an accepted art form, and thereby brought them recognition they wouldn’t have otherwise had. Nonsense. David Barsalou reveals the truth in his Deconstructing Roy Lichtenstein project.

The Troubadour door

The image that’s borrowed the most from this site is of my dear friend, lovely Prue Bury sitting between John Lennon and Pattie Boyd. My second most popular pictures are of John Lennon and Harry Nilsson, immediately after they’d been shown the door at the Troubadour nightclub, for abusively heckling the Smothers Brothers.

So in 1974, when Tom and Dick decided to revive their stage act, they booked their first shows at…the Troubadour in West Hollywood. Nilsson, being a good friend, decided to surprise Tom again, and this time bring along a friend who was in town having a very long “lost weekend”: John Lennon.

“It was horrendous,” Tom recalls, laughing at the memory. “They came in pretty ripped to see our show, and, as Harry later explained to me, he told John, ‘He needs some heckling to make this thing work.'”

Dangerously Funny: The Uncensored Story of the Smothers Brothers Comedy Hour, David Bianculli, 2009, p.333

This is where I originally posted the pictures, and here is a higher-res scan of the page they came from. Click to enlarge.

They’re in a magazine called John Lennon: A Man Who Cared, published by Paradise Press shortly after Lennon was murdered in December, 1980. The credits are: Editorial Consultant Jeremy Pascall with material compiled by Robert Burt.