Category: Joltin’ Joe Sinnott

The late, great Marvel Comics Legend, Joe Sinnott

He’s Mighty Sore!

At the request of Mark Sinnott, I scanned a picture of the original, unedited cover to Journey Into Mystery #83 that his dad, Joltin’ Joe Sinnott, inked over Jack Kirby’s pencil art, for the first appearance of The Mighty Thor. Hover over the color picture to see how the illustration looked on Joe’s drawing table. Click here to see the scan I’m sending to Mark.

A point of particular interest to Silver Age comic book fans is the fact that the figures of the alien stone men were removed (undoubtedly at Stan Lee’s direction) during post-production, after Joe had inked them and turned in the finished job. Later, another comic book inker, who I shall not name, took it upon himself to sometimes erase background figures from Jack Kirby’s penciled pages, rather than ink them.

Fans in the fold-in

There was a 2-day comic book con in Boston this weekend. Three stalwarts of MAD Magazine were there — Al Feldstein, Al Jaffee, and Paul Coker. After writing and/or drawing many memorable stories for Bill Gaines at EC, Feldstein was MAD’s editor for almost 30 years, throughout its heyday.

Jaffee is famous for his fabulous back cover fold-ins. Click here to see some interactive Jaffee fold-ins, presented by the NY Times. Jaffee is also known for his Snappy Answers to Stupid Questions.

Prolific Paul Coker’s unmistakable drawings appeared in many pages of MAD, but he’s perhaps best known for designing the animated Frosty the Snowman cartoon.

I spent most of my time at the convention today sitting at Joltin’ Joe Sinnott’s table, helping with requests for autographs and sketches, while his son Mark made the rounds and Denro procured old comics, including one from 1951 that he found, with Joe’s second ever appearance in a Marvel (then Atlas) comic book. This scan is of Joe’s inking on Steranko’s famous centerfold splash page in Captain America #111 (March ’69).

A guy named Joe

Mark Evanier has a post with this video interview with the great Joltin’ Joe Sinnott, the finest ink man there ever will be in comic books. Original art that has been graced by the Sinnott touch is a thing to behold.

Interview with comics legend Joe Sinnott, Part 1 from The Comic Archive on Vimeo.

Joe talks about the work his son Mark has done cataloging all of his published work. Denro has done a lot to find copies of all those comics, including Joe’s unsigned stories, for Joe and Mark.

Joe goes into some technical detail about his preferred tools of the trade, which is a treat for me, a wannabe cartoonist from long ago. Joe has praise for the former quality of Strathmore paper, which used to be made at a now-closed mill on the Westfield River, in Massachusetts. Knowing that comic books were drawn on Strathmore paper was one of the reasons why I decided to attend Westfield State College.

Here I am in Joe’s home studio, where he produced the finished art for some of the finest Marvel Comics ever done. I’m holding up two Alley Awards that Joe won for his work on the Fantastic Four.

Home, Cold Home

There’s still no electricity at home. The utility company says it should be back on by Wednesday night, but if it isn’t we’ll be looking for a hotel room. I’ve got the fireplace going in the evening, and I can run space heaters off the portable generator. I have a 5-gallon gas container, but I wish the generator’s tank were bigger. We have oil lamps, and they work great. I can see why sperm whales were hunted to near extinction before petroleum took over. My GE Superadio III, 17 years old, has been our primary source of entertainment.

Compliments of great guy Mark Sinnott, here’s a follow-up pic from the Albany Comic Con, with me on the right, with Denro and Joe Sinnott. Men with caps! As always, I make a point of not looking directly into a camera flash, which is painful for somebody who has lattice degeneration.