Mr. A. Machine

Before and after working for Marvel Comics, Steve Ditko was an artist for Charlton in Derby, Connecticut. In its Atlas days, before returning to superhero comics, Marvel was a step down from National Periodical Publications, aka DC, with Charlton at the low end of the comic book publishing business.

Konga #1, 1960, based upon the movie and illustrated by Steve Ditko. Incredibly, there is a significant connection between this comic book and my friend Prue Bury — “Konga” director John Lemont.

When Atlas nearly collapsed in 1957, Stan Lee kept the company going by using a large stash of previously unpublished inventory stories. But Stan had to lay off his reliable stable of artists who had drawn those inventory stories, including my pal Joe Sinnott. Joe was desperate for work and he found it at Charlton by anonymously penciling thousands of Romance story pages for Vince Colletta.

Ten years later comic books were back in a big way, and Marvel was taking over the top spot from DC. Joe had returned to the Bullpen, but Steve Ditko left for reasons that will never be fully explained. Ditko returned to Charlton, where he drew mystery stories, undoubtedly for a fraction of the page rate that he was earning at Marvel plotting and drawing Spider-Man and Dr. Strange.

One of the ways that Charlton saved money was by not having staffers who were specialists in hand lettering. Instead, Charlton had A. Machine. One of the fixed links I have on this blog is for Charlton Comics: The Movie. The team behind the project have uncovered the secret identity of A. Machine, and they will reveal it in their upcoming documentary.

KIRBY KRACKLE!

Jack Kirby and Joe Sinnott, at the 1972 New York Comic Art Convention

Jacob Kurtzberg — aka Jack Kirby — was born the same year as JFK, 100 years ago, in 1917. At the first link below you will find a collection of items about he who is the King of Comics. That’s “comics” as in books, and not comedians, as Johnny Carson once incorrectly interpreted the meaning. You’ll find something about that at the second link.

http://seanhowe.tumblr.com/search/kirby

http://www.newsfromme.com/2006/07/11/jack-n-johnny/

American Masters: Bing Crosby Rediscovered

Starting this coming Tuesday, the PBS series American Masters is presenting “Bing Crosby Rediscovered.” Don’t miss it!

I was 22 when Crosby suddenly collapsed after playing golf in Spain on October 14, 1977. Bing sure seemed old to me at the time, but he was only 74. To put that into perspective, Ringo Starr is 74.

The day after Bing died, Denro and I were at the Boston Newcon comic book convention, interviewing the one and only Joe Sinnott, who was, at the time, starting work on inking the Silver Surfer graphic novel by Stan Lee and Jack Kirby, released in 1978. Dennis asked Joe, addressing him as Mr. Sinnott, “What do you for enjoyment? To get away from comics?” Here is what Joe said, as recorded by me on October 15, 1977.

We knew that Bing had died, so I wasn’t completely clueless and, yet, being the callow youth that I was, stupidly I asked, “So how do you feel about it?” Duh! The next day, October 16, would be Joe’s 51st birthday and, my goodness, how young he sounds in that recording.

I don’t know yet how much the American Masters documentary will ac-cen-tu-ate the positive. Gary Crosby’s memoir damaged Bing’s reputation as a father, but the multi-talented, multi-media Crosby remains an undeniably significant and pioneering figure in entertainment history. As I have pointed out in the past, Crosby was the first to see and exploit the potential of magnetic tape recording. A few months ago, someone working on the American Masters documentary spotted my posts and requested a photo for “Bing Crosby Rediscovered,” which I gladly provided. I can’t say for certain if the picture is in the final edit, but if you see it you’ll know where it came from.

Jack Mullin, Frank Healey, Wayne Johnson, Bing Crosby