Toth’s Angel and Ghost

My first exposure to “comic book art” wasn’t in comics, but from the syndicated Space Angel cartoon series on TV.

Alex Toth (pronounced with “toe”) was the artist behind Space Angel. Toth hired Doug Wildey to help produce the series, and Wildey in turn hired Toth to help him with Hanna-Barbera’s Jonny Quest. After Quest, Toth designed H-B’s less ambitious animated series, Space Ghost.

I loved this stuff when I was a kid, and I still love it. Space Angel had a 6-page promotion in the children’s magazine Jack and Jill.

I borrowed those scans from a Facebook post by author Ken Quattro, who wrote Invisible Men, a history of Black comic book creators.

https://www.amazon.com/Invisible-Men-Artists-Golden-Comics/dp/1684055865

Brother Andrew’s Traveling Salvation Show

Anne van der Bijl has died at age 94. “Anne,” as in a Dutch variation of Andrew, was better known by his alias, Brother Andrew. I learned of his passing at the library in, of all things, the print edition of The Economist.

https://www.economist.com/obituary/2022/10/06/brother-andrew-secretly-carried-bibles-behind-the-iron-curtain

In my “born-again” period during college, I read Brother Andrew’s book God’s Smuggler. It’s his autobiographical account of taking Bibles into what were then the Communist countries of the Soviet Union.

There was also a comic book adaptation of God’s Smuggler, by Al Hartley. Somehow I missed seeing this Spire Comic at the time.

Hartley was a former Marvel artist, who had drawn Patsy Walker for Stan Lee.

The notice in The Economist missed an opportunity to point out that it was economics, not Brother Andrew’s efforts at planting copies of the Bible à la the Gideons, that contributed to the breakup the Soviet Union. The seeds of discontent grew from the public’s awareness of the worldly benefits of 1980’s secular consumerism — plentiful food, blue jeans, CD players, VCR’s, etc. China has since embraced the advantages of Capitalism, independent of Christianity or Democracy.