A couple of choice pieces of original art currently on Heritage Auctions.
I can’t say for sure if the Pro-White changes on Doctor Doom were made by Joe and/or someone at the Marvel office. In this collection of Joe’s brushes, in the middle of the container you’ll see one with dried Pro-White.
Ditko’s inking is a good contrast to Joe because he favored a pen for outlines, using a brush for emphasis and solid areas.
“The Internet really has sped things up. It takes only a minute for me to sort the two Sunday papers I get, and not much longer than that to read the tiny comics sections.” Hmm… that’s 170 characters. Ten too many? I’d better trim it down.
“The Internet has sped things up. It takes only a minute to sort the two Sunday papers I get, and not much longer than that to read the tiny comics sections.” There, only 156 characters.
I’m not on Twitter, but I’m on Facebook, and every time I go there it asks, “What’s on your mind, Doug?” How about what was on my mind 55 years ago?
Ever since arranging the estate sale at my late parents’ house in Arizona three years ago, I’ve been mulling over the problem of having all of the stuff I’ve accumulated over these many years. When the late publisher and comic art dealer Russ Cochran announced he was selling most of his massive collection, I couldn’t imagine why he would want to do that. But I was much younger then, and now I can imagine all too well. Cochran was getting old, he was planning ahead, and he needed to downsize.
Jerry Beck, the noted animation historian and archivist, moved recently. Beck has announced on Facebook that he is holding a garage sale to clear a storage space of “lots of magazines, toys, plush figures, books, DVDs, VHS tapes, stuff.” Jerry is my age, and I have the same inclination. Yard sale? Craigslist? eBay? I suppose all three will be useful.
While I contemplate divesting myself of possessions, I am of course continuing to accumulate. The “Get Back” Beatles book to accompany Peter Jackson’s documentary is on pre-order. As is Andrew Sandoval’s revised, expanded and definitive Monkees day-by-day book. No date has been announced yet for the long-delayed second volume of IDW’s Artist’s Edition of Jim Steranko’s 1960’s work at Marvel.
The original art for the center spread from Captain America #113 is coming up on Heritage Auctions. The first two Cap issues that Steranko drew, #110 and #111, were inked by my pal, the great Joe Sinnott. The whereabouts of the original art for the center spread to one of those issues was the subject of some controversy. The art had been promised to Joe, but he never saw it again. Joe had only the original production stat for the art. Someone said they saw the original art hanging in the home of a well-known comic book person, but when asked about it later, that person reportedly denied ever having the art. I assume the art was eventually located and scanned for inclusion in the Artist’s Edition volume, but some of the pages in the first volume were taken from stats.
When Steranko couldn’t meet the deadline for issue #112, there was a Kirby fill-in. Jim returned for his trilogy’s big finish in issue #113, which was inked by Tom Palmer. Steranko has always said that he, rather than Palmer, inked the two center pages. This scan confirms it, although the use of Zip-a-Tone was a Palmer trademark.
Rich people making brief trips to space, hoping exposure to cosmic rays will give them fantastic super powers.
Be careful what you wish for!
Chuck Jones hated Bob Clampett for claiming he created Bugs Bunny. Jack Kirby resented Stan Lee for claiming he created the Marvel Super Heroes. Fans often express their opinions in these matters as if they have a personal stake in them, regardless of whatever the full truth may actually be.
Steve Ditko’s position on the creation of Spider-Man is a particularly frustrating example. Ditko wanted credit that he felt was denied to him by Stan, which wasn’t legally Stan’s to give anyway. But Ditko also acknowledged that he had accepted payment under a work for hire arrangement. The rigid Ayn Rand logic that Ditko followed allows both of these viewpoints to be valid, leaving them irreconcilable.
With that in mind, as a follow-up to yesterday’s post, did Ub Iwerks hate Walt Disney for claiming he created Mickey Mouse, and did Walt resent his studio’s co-founder for leaving to become a competitor? Not likely from this photo, taken not long before Disney’s death.
More of Stan Lee explaining the Marvel Super Heroes. Incredibly, nobody seems to have known this film existed.
