The closest thing to TCM on broadcast TV is the Movies! TV Network. Here in Boston it’s found on standard definition sub-channel 17-2. The station recently showed While the City Sleeps (1956), directed by Fritz Lang. On TCM the movie comes without commercials and with Eddie Muller’s always inciteful and enlightening commentary.
Estes Kefauver was a politician with Presidential aspirations, whose Senate committee on organized crime was depicted in The Godfather Part II.
Kefauver saw a connection between organized crime and juvenile delinquency, which the notorious Dr. Frederick Wertham insisted had a direct correlation to kids reading comic books. Which of course it didn’t. This clip is from a TV show that was directed by Irvin Kershner, the director of the first Star Wars sequel, The Empire Strikes Back.
By the way, the comic book killer in the movie was played by Drew Barrymore’s dad.
Today through May 29, Jim Steranko has an exhibit of his paintings at the Butler Institute of American Art, in Youngstown, Ohio.
I must take strong exception to the curator’s statement that Stan Lee considered Steranko to be “his best,” and “his right-hand man, in a way.” That distinction, without question, belonged to Jack Kirby.
Correction: Wendy Swick is not the curator, she is the Public Relations Coordinator at the museum.
The Sunday Boston Globe magazine celebrated the paper’s 150th anniversary. Two pages were devoted to a bit of comic page history. I was amused to see the Globe had a local comic strip drawn by a William J. Sinnott.
My Economics advisor at the small college I attended liked teaching there because he could express his views on Political Economy without getting in trouble. Avoiding trouble is also the reason I prefer having my old weblog to posting on fan forums.
Some of the controversies regarding classic comic books concern the various combinations of pencil artists and inkers. Here is an excellent comparison of original pencil art to finished inks.
Unused art for Daredevil #24, Pencils by Gene Colan, Inks by Frank Giacoia
Frank Giacoia was a top-notch professional. His direct and distinctive inking style was unmistakable, while adhering to the original pencils. Stan Lee often credited Joe Sinnott as “Embellisher,” rather than as an inker. On the left is a face drawn by Jack Kirby that Frank inked, and on the right is the same character as inked by Joe.
(L) From FF #97, pg. 10, panel 1 / (R) From FF #46, pg. 18, panel 4
A few years separate these two examples. In that time Jack had adjusted his drawing to accommodate the switch to smaller original art — from 12″x16″ to 10″x15″ — but I think it’s still a valid comparison.
Joe said he sometimes felt he put too much of his own style on Jack’s faces. But Stan brought Joe back to Marvel to ink “The World’s Greatest Comic Magazine” for a reason. As I liked to tell Joe, his “friendly faces” were the very thing that got me started reading the Fantastic Four. Here’s a picture I took looking over Joe’s shoulder as he drew Superman for a fan five years ago. As you can see, Joe inked exactly the same way that he drew.
Stan said he liked to see how artists handled mundane, everyday scenes. Here’s a panel from a Captain America story, half of it taken up with Stan’s dialogue, that shows how perfectly Joe enhanced Jack’s art, adding expressive subtlety to the faces.
TOS #95, “A Time to Die — A Time to Live!” pg. 4, panel 2
