Captain Marvel Zapped Them Right Between the Eyes

There sure is plenty of zapping done in the Captain Marvel movie, and Brie Larson is certainly the best-looking incarnation of the character I’ve seen over the past 50+ years. The original Captain Marvel will be appearing in Shazam! next month, but this is the one I knew when I was a kid.

Marvel Super-Heroes #12, 1967, with art by Gene Colan and Frank Giacoia

One little movie semi-spoiler I’ll offer is that Nick Fury loses his left eye the same way I almost lost my right eye when I was 12. Before leaving the house for the school bus stop I decided to say goodbye to the family cat, while he was eating breakfast. With the inside of my eye oozing out of a large gash, I never made it to the bus stop that day.

Doing a Double Take

A Facebook group I enjoy is “At the Controls,” featuring vintage photos of control rooms and equipment. Radio station and recording studio photographs are particular favorites. A picture posted in the group caught my attention immediately. You can see why by recalling my post about the original art for Bernie Krigstein’s “Master Race” being up for auction at Heritage.

“Master Race,” 1955, page 1, panel 2. Eddie Michalski at Columbia Records Studios, 799 Seventh Ave, NYC, possibly 1953.

Roy the Boy’s Goodbye to Stan the Man

Stan Lee and Roy Thomas, 11/10/2018

https://www.bleedingcool.com/2018/11/12/roy-thomas-stan-lee-ready-to-leave-this-earth/

I’m sadder than I can say that Stan has died… even though I know, from my recent phone conversations with him, that he was more than ready to leave this Earth. I’m so grateful that, by sheer circumstance, I got to spend a half hour or so with him this past Saturday, less than 48 hours before he passed away. At that time, it was obvious that he lacked much of the old Stan Lee energy that everybody had got to know at conventions and in movie cameos, but when I asked him about future cameos, he expressed a real interest in making them, if he could find a way to do it without their being too much trouble. He asked me about Dann and all the animals on our place (Dann had, at his request, sent him a DVD we made for him a couple of years ago), and got fairly animated when talking about his battles with publisher Martin Goodman over doing Spider-Man. I opined as how maybe the one important creative decision Goodman ever made was when he commissioned Stan to create a super-hero group back in 1961. Stan seemed to get a kick out of that. He posed for a couple of pictures with me, and then the last one with me and my friend and manager John Cimino, who had worked (in concert with Stan’s buddy and handler Jon Bolerjack) to arrange for Stan and me to get together one more time. But I wish I could look forward to seeing him and sparring around with him again. Still, I consider myself so very lucky to have known and worked with him for so many years… one of the most important mythmakers of the 20th century.

Best

Roy