Look! Up in the sky! Listen! Up in the Fresh Air!

Terry Gross on Fresh Air interviews Larry Tye, author of a new book about Superman and the men who created the character.

Tye apparently isn’t essentially a comic book fan, which is perhaps a good thing. I don’t know yet how he portrays Siegel and Shuster, the creators of Superman. In recent years it’s become apparent that there was a lot to not like about writer Jerry Siegel the man, and Joe Shuster drew sleazy fetish illustrations, perhaps out of financial necessity and/or an interest in the genre. There’s a Fresh Air segment about that, too.

He’s Mighty Sore!

At the request of Mark Sinnott, I scanned a picture of the original, unedited cover to Journey Into Mystery #83 that his dad, Joltin’ Joe Sinnott, inked over Jack Kirby’s pencil art, for the first appearance of The Mighty Thor. Hover over the color picture to see how the illustration looked on Joe’s drawing table. Click here to see the scan I’m sending to Mark.

A point of particular interest to Silver Age comic book fans is the fact that the figures of the alien stone men were removed (undoubtedly at Stan Lee’s direction) during post-production, after Joe had inked them and turned in the finished job. Later, another comic book inker, who I shall not name, took it upon himself to sometimes erase background figures from Jack Kirby’s penciled pages, rather than ink them.

Fans in the fold-in

There was a 2-day comic book con in Boston this weekend. Three stalwarts of MAD Magazine were there — Al Feldstein, Al Jaffee, and Paul Coker. After writing and/or drawing many memorable stories for Bill Gaines at EC, Feldstein was MAD’s editor for almost 30 years, throughout its heyday.

Jaffee is famous for his fabulous back cover fold-ins. Click here to see some interactive Jaffee fold-ins, presented by the NY Times. Jaffee is also known for his Snappy Answers to Stupid Questions.

Prolific Paul Coker’s unmistakable drawings appeared in many pages of MAD, but he’s perhaps best known for designing the animated Frosty the Snowman cartoon.

I spent most of my time at the convention today sitting at Joltin’ Joe Sinnott’s table, helping with requests for autographs and sketches, while his son Mark made the rounds and Denro procured old comics, including one from 1951 that he found, with Joe’s second ever appearance in a Marvel (then Atlas) comic book. This scan is of Joe’s inking on Steranko’s famous centerfold splash page in Captain America #111 (March ’69).

It’s Boston Marathon weekend, and Morgan Spurlock is here to talk about the San Diego Comic Con

Marathon Monday is going to be hot! One year when I ran Boston the sun was brutal and the temperature was hovering around 90 and, believe me, in that heat you take almost every water stop! At the 24-mile mark is Coolidge Corner, and tomorrow, one day before 25,000 pairs of running shoes go by that spot, Morgan Spurlock will be at the Coolidge Corner Theatre for the premiere of his new documentary, Comic-Con Episode IV: A Fan’s Hope.

Friday morning, Spurlock was on PRI’s The Takeaway, talking about comic books and the San Diego convention.

[audio:http://www.podtrac.com/pts/redirect.mp3/audio.wnyc.org/takeaway/takeaway041312j.mp3|titles=The Takeaway: Morgan Spurlock on ‘A Fan’s Hope’]

Spurlock says that without the involvement of Stan Lee and Joss Whedon he probably wouldn’t have gotten permission from the convention to make the movie, but Morgan is a known name and his reputation precedes him — in a good way, I think. He’s a friend to fanboys and a kindred spirit. Speaking of somebody with a reputation, here’s a picture of me with Smilin’ Stan “The Man” Lee at a show in NYC a couple of weeks ago.

When I was down in New York I stopped at the table of the Jack Kirby Museum. I donated some money and chatted with the guys representing the organization. We talked about the Kirby family’s ongoing litigation with Disney-Marvel, and we agreed it’s a shame how the company took the path it did, rather than offering an out-of-court settlement.

There’s a vocal contingent of Jack supporters who are out to make Stan the bad guy for stealing credit that rightfully should be shared with Jack Kirby and Steve Ditko. But the well was poisoned long before the so-called Marvel Universe came into being in the 1960’s. As the late Joe Simon said on page 114 of My Life in Comics, “Jack always thought Stan had told his uncle that we were working for DC. He never gave up on that idea, and hated him for the rest of his life — to the day he died.” The hard-line Jack supporters have taken Kirby’s hatred to heart, and I think their zeal has caused them to lose their perspective. As I told the Kirby Museum reps, I will not support Jack by hating Stan.