I’m getting ready for the New York Comic Book Marketplace show in, you guessed it, New York. Denro and I will be heading down there on Friday. Going through a portfolio of original art, I came across some stuff I did myself, over twenty years ago, when I was an occasional contributor to the Comics Buyer’s Guide. The late Don Thompson bought pretty much everything I submitted, except for a cartoon that made fun of writer Peter David’s barf bag puppets. These are a few cartoons I never submitted.
Here’s my take on what really happened after the Fantastic Four were bombarded by cosmic rays. The caption is “Sue! Where ARE you?? SUE!!”
In this one I wondered, “What if Disney bought Marvel Comics?” At the time the idea was silly, but now it’s reality!
I did bunch of strips paying homage to Calvin & Hobbes, calling them the names of two other philosophers, Carlyle & Hobson. I had Calvin-Carlyle’s parents commit him to a psychiatric institution, where he meets Dennis the Menace.
P.S. This one is from an attempt at doing a comic strip.
Denro tipped me off that Barnes & Noble stores have bargain-priced copies of Mark Evanier’s book Kirby: King of Comics. I bought one for $12.95, so now I can keep my autographed copy on the shelf. This deal is, from what I can see, available only in stores.
As I have said before, Jack “King” Kirby — a title given to him by Stan Lee — was the greatest creative force the comic book biz will ever have. Kirby’s family has, so far, been unsuccessful in getting money out of Disney-Marvel, and that’s wrong, because the corporation owes the man a lot.
A TV show I enjoyed a lot as a kid in the 60’s was Dragnet. When I was older I learned that Dragnet had not only been on TV in the 50’s, it had first been a radio show. The revived Dragnet returned with its old formula, and supporting cast members, intact. In the intervening years Sgt. Joe Friday had apparently been overlooked for promotion, despite his unbroken string of cracked cases and successful arrests.
In the Fifties, Dragnet dealt with some hard facts of life, such as drug addiction and sex crimes. When Jack Webb returned as Joe Friday ten years later, he used the show to crusade against the growing influence of the youth culture. There was an anti-Summer of Love attitude, and Hippies were depicted at best as misguided and confused kids, or as drug addicts hiding behind the trappings of Eastern religion. Parents were concerned about the rapid pace of change in Sixties, and many were struggling with rebellious teenage children. In 1968 the world seemed to be coming apart at the seams, and Webb offered a clear, unwavering view of right and wrong. It’s my opinion that the popularity of Dragnet helped to get Richard “Law and Order” Nixon elected in 1968.
Even the growing ranks of comic book collectors, empowered by the Batman TV show, weren’t spared Webb’s critical gaze, as seen in the infamous “Superfan” episode. I saw this when it first aired, and it starts off nicely enough, with a brief history of Hollywood, but towards the end it’s painful for an old fanboy to watch, because I have to admit there’s a lot of truth in what Stanley says.
Getting back to Dragnet in the Fifties, the link at the end of this sentence searches eBay for Dragnet OTR. “OTR” stands for “Old-Time Radio,” and as you can see there are plenty of sellers offering Dragnet radio shows. Anybody who buys one of these collections is wasting their money, because they’re available for free on Archive.org, from a wonderful organization of enthusiasts called the OTRR — the Old Time Radio Reseachers Group.
If you don’t feel like downloading and unzipping the files, you can listen to Dragnet on Tunein.com. I’ve been having a lot of fun doing that for the past few weeks. It’s interesting to compare the radio and TV versions of Dragnet. For example, here’s an episode from 1955 called The Big Deal.
[audio:https://s3.amazonaws.com/dogratcom/Audio/2012/01/The+Big+Deal.mp3|titles=Dragnet “The Big Deal” 4/19/55]
Mark Evanier has a post with this video interview with the great Joltin’ Joe Sinnott, the finest ink man there ever will be in comic books. Original art that has been graced by the Sinnott touch is a thing to behold.
Joe talks about the work his son Mark has done cataloging all of his published work. Denro has done a lot to find copies of all those comics, including Joe’s unsigned stories, for Joe and Mark.
Joe goes into some technical detail about his preferred tools of the trade, which is a treat for me, a wannabe cartoonist from long ago. Joe has praise for the former quality of Strathmore paper, which used to be made at a now-closed mill on the Westfield River, in Massachusetts. Knowing that comic books were drawn on Strathmore paper was one of the reasons why I decided to attend Westfield State College.
Here I am in Joe’s home studio, where he produced the finished art for some of the finest Marvel Comics ever done. I’m holding up two Alley Awards that Joe won for his work on the Fantastic Four.
There’s still no electricity at home. The utility company says it should be back on by Wednesday night, but if it isn’t we’ll be looking for a hotel room. I’ve got the fireplace going in the evening, and I can run space heaters off the portable generator. I have a 5-gallon gas container, but I wish the generator’s tank were bigger. We have oil lamps, and they work great. I can see why sperm whales were hunted to near extinction before petroleum took over. My GE Superadio III, 17 years old, has been our primary source of entertainment.
Compliments of great guy Mark Sinnott, here’s a follow-up pic from the Albany Comic Con, with me on the right, with Denro and Joe Sinnott. Men with caps! As always, I make a point of not looking directly into a camera flash, which is painful for somebody who has lattice degeneration.
