Irony as far as the eye can see?

David Barsalou, creator of the groundbreaking and exhaustive Deconstructing Lichtenstein project, wrote to point out another art swipe by Roy Lichtenstein that’s up for auction. I can see the whole room … and there’s nobody in it! is expected to fetch upwards of $45 million!

A gallery owner is quoted in the Bloomberg article at the link above, saying, “It epitomizes Roy’s use of irony, which is the most important theme throughout his work.” Irony, she says? It’s only ironic that the painting is worth so much money, because it’s a direct swipe from a Steve Roper comic strip panel drawn by William Overgard. Heck, it’s only 4×4 feet, and you’d think spending that much money would rate a wall-sized canvas.

Barsalou has some instructive links about the piece here and here. As you can see, the swipe was spotted by William Overgard, who wrote to Time magazine and asked, with some irony, “Very flattering…I think?” Not really. Notice how Lichtenstein changed the hand? Overgard’s original looks correct — you can tell it’s a thumb — but Roy got it wrong, so it looks like an index finger in the wrong place. Intentional artistic license? Nah, he couldn’t draw.

King Kirby’s family loses claim to legacy

Well, this is disappointing. The family of Jack Kirby, the most powerful single creative force comic books will ever have, has lost their suit to obtain the copyrights of the characters that populate the Marvel Entertainment empire.

It’s a sad state of affairs that a settlement couldn’t be reached, where Kirby’s estate gets a share of the proceeds from the movies that are doing so well. It’s saddens me there’s so much bad blood between the Kirbys and Stan Lee, and also between Lee and Steve Ditko. I love everything these guys did, and I’m not comfortable taking sides, but the anti-Stan sentiment that has developed bothers me. Just as the Beatles did their best work together, so did Jack and Steve when working with Stan. Kirby saw the possibilities of his creations as major media entertainment, but Stan deserves credit for making it happen. I just wish the Kirbys could cash in the success of the franchise. Even better would be an alternate reality fantasy where Jack and Stan sued together as co-creators, as Siegel and Shuster did for Superman.

P.S. I haven’t seen the Captain America movie yet, so I don’t know who gets credit for the character. With Jack Kirby, Joe Simon co-created Cap, and he had his own lawsuit. Simon says (sorry, couldn’t resist), “I’ve been happy with the results of our various legal entanglements, and my relationship with Marvel is very good these days.”

P.P.S. Joe Sinnott submitted a statement to the court in March. It’s at this link.

Saugerties salutes native son Joe Sinnott

The 4th of July parade in Saugerties, NY featured grand marshall Joe Sinnott. Joe served in WWII, enlisting in the Navy after his brother Jack was killed in France.

Joe is 84, and take a look at his perfect-as-ever finished ink art over Alex Saviuk’s pencils for yesterday’s Spider-Man comic strip. Joe has said that he thinks he hit his peak about 50 years ago, and he’s just stayed there. It’s no brag, it’s just fact!

Here’s an example of Joe’s supremely masterful and clean inking over Jack Kirby’s pencils for Fantastic Four #63, in 1967 (borrowed from Rob Steibel’s Kirby Dynamics blog). The notes in the margins were written by Jack, and those notes get into the extremely contentious subject, that’s currently being litigated, of who created the characters of the Marvel Comics universe.