Johnny Storm, Ben Grimm, Reed Richards, Sue Storm and… Stephen Colbert??
Category: Cartooning
Ghosted by Ghosts?
Job applicants who never hear back are applying for positions that don’t exist.
Among those who said they advertised job postings that they weren’t actively trying to fill, close to half said they kept the ads up to give the impression the company was growing.
https://www.wsj.com/articles/that-plum-job-listing-may-just-be-a-ghost-3aafc794?mod=hp_lead_pos12
This raises some questions and concerns. Is the Bureau of Labor Statistics getting accurate information? The Fed is basing its interest rate decisions in part on the “robust job market.”
Speaking of ghosts. When Hanna-Barbera in Los Angeles was at its early peak, Famous Studios in New York was doing better limited animation for television. Wendy performs “The Red Shoes.”
https://youtu.be/3wa3XnmI-2k?t=1
Lichtenstein POP ART Productions
Whaam! Blam! Roy Lichtenstein and the Art of Appropriation is now available for online viewing. The documentary receives my highest recommendation, not only for setting the record straight, but for how it presents both sides of the case.
https://www.amazon.com/gp/product/B0BVJSVN18/
Much of Lichtenstein’s appeal depends on scale, so I recommend watching the documentary on the largest screen possible. Seeing the giant canvases displayed at auctions, in museums and galleries, only to be brought down to size both literally and figurately, makes the praise heaped on Lichtenstein by his apologists in the high art world seem laughable.
This documentary became not only necessary, but possible, by research that’s been done by fellow Westfield State alum David Barsalou. The reference David makes in this brief video clip is to an Art History course that was taught by Barbara Harris.
In this clip Russ Heath, one of the all-time great comic book illustrators, talks about Stan Lee giving him his start in comics.
Whether or not Stan realized that he had, in an indirect way, helped to make Lichtenstein’s fame possible, in 1965 he briefly embraced the Pop Art label, as seen in the corner box at the top of this post.
It’s disappointing that Bill Griffith, who I’m very much a fan of, doesn’t see a problem with Lichtenstein’s comic book appropriations. Griffith, who attended Pratt Institute during Lichtenstein’s initial burst of fame, seems to be expressing more of an art student’s view than one coming from a cartoonist. It was almost sad for me, seeing Griffith’s position undercut so deftly.
DC 94 yr. GIANT, Joe Giella
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What Joe Sinnott was to Marvel, his friend Joe Giella was to DC. Joe passed away yesterday at age 94.
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Mark Evanier has this remembrance.
Get Tilted
A new one from Phish bassist Mike Gordon. On guitar is my pal and former techie colleague Scott Murawski. The animation has nods to Leonardo da Vinci, Heironymous Bosch, and what appears to be Miyazaki’s Howl’s Moving Castle.
Having Fits Over Fritz
The BBC has a surprisingly positive and in-depth article about the controversial Fritz the Cat movie from 1972. It shouldn’t be called Robert Crumb’s Fritz the Cat, because Crumb didn’t license the production himself, and he didn’t want his name associated with it.
Fritz the Cat is available on a recent Blu-ray release. Bonus commentary is with my old pal, G. Michael Dobbs, author of Made of Pen & Ink: Fleischer Studios, The New York Years, and Mike’s cohort in film and animation history, artist Steve Bissette.
https://www.amazon.com/Fritz-Cat-Skip-Hinnant/dp/B09BF59MQR/
You can watch it here for free, sans the commentary.