It was fifty years ago today…

… George Martin told the band to play.

http://youtu.be/i1mgIZrlLSE

From Bruce Spizer’s Beatle.net.

June 6, 2012 is the 50th anniversary of the Beatles first visit to Abbey Road Studios. The group, consisting of John Lennon, Paul McCartney, George Harrison and Pete Best, arrived at what was then called EMI Studios on June 6, 1962, for a commercial test (an evaluation of a signed artist). Two days earlier, the band had signed a recording contract with “The Parlophone Company Limited of Hayes in the County of Middlesex.” The group was paid Musicians Union rates for the June 6 session, indicating that the Beatles were in fact EMI recording artists by the time they arrived at Abbey Road.

Engineers attending the session in Studio Two remember the poor shape of the group’s equipment, particularly Paul’s bass amp, which was deemed unusable due to its rattling and rumbling. Engineers Norman Smith and Ken Townsend improvised and created a bass rig by soldering an input jack to a preamp and combining it with an amp and a large Tannoy speaker taken from Echo Chamber No. 1. A string was tied around John’s amplifier to prevent it from rattling. After resolving these problems, the Abbey Road staff was ready to record the group.

Four songs were recorded that day… What four songs were recorded by EMI at the Beatles commercial test held at Abbey Road Studios on June 6, 1962? Besame Mucho, P.S. I Love You, Ask Me Why and Love Me Do. The first tune, written by Consuelo Velazquez and Sunny Skylar, was a Latin standard that came to the attention of the Beatles by way of the Coasters, who issued the song in two parts on Atco 6163 in 1960. The other three songs were Lennon-McCartney originals. The tape containing the songs was sent to EMI headquarters for evaluation and is presumed lost; however, acetates of Besame Mucho and Love Me Do survived. These songs were released in 1995 on Anthology 1. All three of the Lennon-McCartney songs were later re-recorded for commercial release, with Love Me Do and P.S. I Love You issued as the Beatles first single and Ask Me Why appearing as the B-side to the group’s second single.

Why they fought

During World War II the English, minus Alfred Hitchcock who had left for America, somehow managed to not only make movies, they made some truly outstanding ones. I am particularly fond of the films that showed life on the home front. One of them is This Happy Breed, by Noel Coward and David Lean, and another is Millions Like Us, by Sidney Gilliat and Frank Launder. The latter film has a funny surprise in it for animation fans, because it uses Raymond Scott’s tune Powerhouse in a factory scene.

[flv:http://s3.amazonaws.com/dogratcom/Video/2012/Millions.flv 400 300]

That double turntable setup with a single tonearm is neat. Powerhouse became a fixture in the Warner Bros. cartoons starting with Porky’s Pig Feat, as seen in this post from about a year ago. Porky’s Pig Feat was released on July 17, 1943, and Millions Like Us was released in the UK on November 5, 1943, so it would seem likely that somebody involved with the making the film had seen the cartoon.

May is Beatless month

It had been my plan to be at an in-theater screening tonight of the Beatles concert from February 11, 1964 at the Washington Coliseum. Unfortunately, “last minute issues” came up, and the shows were postponed.

MAY 2012 LIMITED ENGAGEMENT OF “THE BEATLES: THE LOST CONCERT” POSTPONED

New York, N.Y., May 8, 2012 — Screenvision announces the postponement of the May 17 and 22 limited engagement of “The Beatles: The Lost Concert.”

The new 92-minute documentary charts the birth and impact of Beatlemania and includes, in its entirety, their first U.S. concert from February 1964 at D.C’s Washington Coliseum.

According to sources at Screenvision, the film’s distributor in the U.S., the postponement is the result of last-minute issues which are being resolved by the documentary’s producers. The distributor hopes the issues will be resolved in short order so the attraction can be rescheduled for an even longer theatrical run in late Summer 2012.

“It’s regrettable that these issues have caused the cancellation of our planned limited engagement” adds Darryl Schaffer, EVP of Exhibitor Relations, Screenvision. “We are looking forward to their resolution so we can bring ‘The Beatles: The Lost Concert’ to even more Beatles fans and theaters in the U.S.”

Anyone who purchased advance tickets can obtain a refund through Fandango, MovieTickets.com or their local exhibitor.

For updated information on the film and future screenings, please visit www.lostbeatlesconcert.com

Beatroute on the router

Here’s a super-duper instrumental I heard today on BBC Radio 2 that I meant to post when Paul O’Grady played it weeks ago. It’s Jools Holland’s Beatroute. He really captures the 60’s theme song sound.

[audio:https://s3.amazonaws.com/dogratcom/Audio/2012/05/Beatroute.mp3|titles=Jools Holland – Beatroute]

Holland was in the British band Squeeze, later becoming a big band leader like his contemporary Brian Setzer did after the Stray Cats.