How about a couple of Elvis singles from YouTube fave 78s4FR? The comments are hers.
I’m not sure how long England continued to produce 78 rpm singles, but apparently it was much later than America’s adoption of the RCA 45 rpm format.
How about a couple of Elvis singles from YouTube fave 78s4FR? The comments are hers.
I’m not sure how long England continued to produce 78 rpm singles, but apparently it was much later than America’s adoption of the RCA 45 rpm format.
Sony’s new Internet appliance, the Dash, looks very slick, and Sony’s using a Beatles song to promote it. They can do that because they own the publishing rights to most of the Beatles catalog, but not the performance rights to the EMI/Apple recordings.
[media id=109 width=512 height=312]
Discussions about flexible-yet-limited Net appliances, like the Chumby and the Sony Dash, include a lot of naysayers. They call them glorified alarm clock radios, and for now they’re right, but in the big picture they’re wrong. Eventually you’ll see touch screen devices like these built into refrigerator doors.
Ah, Saturday morning TV in the 1960’s. A sublime mixture of awful-to-pretty good cartoons. During the Summer of Love, 1967, Marvel Comics featured this centerfold ad for ABC-TV’s “America’s Best TV Comics”. The Fantastic Four and The Amazing Spider-Man were being introduced, having not been a part of the syndicated Marvel Super Heroes cartoon series from the year before.
The Beatles first appeared as cartoon characters on US TV in 1965. How Brian Epstein cut the deal is explained in a book, now out of print, called Beatletoons, by Mitchell Axelrod.
I have a fondness for the cheaply-produced Beatles cartoons, but it’s been said that John Lennon, persistent curmudgeon that he was, disliked them. This photo of Lennon contemplating some layout drawings seems to back that up.

The third season of the show would be the last to include some new material. Two of the titles — ‘Eleanor Rigby’ and ‘Nowhere Man’ — were later animated again, with strikingly different interpretations, for Yellow Submarine. It’s hard to believe that some of the people who worked on the Saturday morning cartoons were also involved with Yellow Submarine, but you’ll find some fab bits of surreal creativity in there.
By 1967 the Beatles looked nothing like they had in 1964-65, yet their character designs didn’t change. The producer of the series, Al Brodax, more than made up for that with Yellow Submarine.

Happy birthday to Prudence Bury, my all-time favorite Beatles girl. After many years of curiosity and sporatic searching, I got serious about using the Internet to find Prue, and with the help of Lia Pamina I finally did. Prue and I began corresponding last year, and an in-person introduction is tentatively scheduled for this coming September.
Having wondered about Prue since seeing a 10th anniversary screening of ‘A Hard Day’s Night’, I had built up a rather idealized image of her in my mind. I wasn’t prepared for how easily she breezed past that ideal, totally knocking me out with her charm, humor, warmth, and sincerity.
Independent of her Beatles connection, Prue Bury is impressive and accomplished, and she is the very definition of a true Class Act. It is my great privilege to know her in a small way.
Lyricist Sir Tim Rice has a series on BBC Radio 2, called ‘Tim Rice’s American Pie‘. You have ’til tomorrow to listen to part 1, where he starts his sojourn in the state of Washington, home of Jimi Hendrix, Nirvana, Bing Crosby, and Les Paul. Note that the volume control on the BBC iPlayer Console goes to 11.
The BBC has an audio feature on the famous moment when, on American TV, Petula Clark touched Harry Belafonte’s arm.
http://www.bbc.co.uk/podcasts/series/witness
Here’s what the fuss was all about. As you can see, Pet actually held his arm.
[flv:/Video/2008/APR/BelafontePetula.flv 440 330]