Backtrack

I Feel Fine

Friday, December 8, has no entry. It’s blank. The day that John Lennon was killed in 1980. I’d like to say I did that intentionally, to symbolize the space that could never be filled; but, the fact is, I screwed up.

The first Beatles song that I was aware as being “a John song,” was “I Feel Fine.” I’ve always considered “I Feel Fine” to be very innovative, and not just for the guitar feedback intro. To me it represents the point when The Beatles started to really break away musically from Beatlemania.

The audio player has the original single, 42 years old, that belonged to my big sister. Perhaps it still does, but she’ll never get it back! 😉 When that finishes, a second track will kick in with take 6 of the instrumental for “I Feel Fine.” This one you won’t find on “Anthology.”

[audio:http://www.dograt.com/Sounds/Wordpress/DEC06/IFeelFine45.mp3,http://www.dograt.com/Sounds/Wordpress/DEC06/IFeelFine.mp3]

Technical note: Listen to the cymbals in the left channel of the studio session recording. Hear the smearing and slurping effect? The original is perfectly clear and clean. This is a good example of where 128 Kbps MP3 comes up short.

The Jazz Decades

WGBH.gifI’m not a huge Jazz fan. Somewhere along the line, for my taste Jazz became so much about improvisation there wasn’t enough structure left to hang onto. Sunday evenings there’s a radio show on WGBH in Boston I enjoy, called The Jazz Decades, hosted by Ray Smith, who by now must be in his 80’s. He specializes in music from the 20’s and 30’s, playing both original recordings from then, as well as more recent renditions of old songs. When necessary, Smith resorts to vinyl, as he did tonight.

The audio player below has 35 minutes of The Jazz Decades show. I was going to offer only 10 minutes of it, but tonight’s selections were interesting, so I let it roll. I was surprised to hear my town, Hopkinton, MA, mentioned. Apparently, there was a legendary place here called The Sticky Wicket, that featured live Jazz until about 15 years ago, which is news to me.

There are some splices in this recording. The first 24 minutes were taken from the FM tuner in my PC. Then, for contrast, right after he says, “This is Ray Smith,” I switched over to WGBH’s live streaming Net audio. For the 1930’s recordings, the loss in sound quality isn’t all that apparent. But I still look forward to the time when all live Net radio is at least 128 Kbps.

[audio:http://www.dograt.com/Sounds/Wordpress/DEC06/JazzDecades.mp3]

Boston Goes Country

WCRBBeing the once-upon-a-time radio guy that I am, some of the doings in the broadcasting business interest me. I have a more than casual appreciation of Classical music, although I would not call myself a connoisseur, by any means. There are two Classical music stations in Boston — WGBH 89.7 FM and WCRB, which from 1954 until today (Friday) was at 102.5 FM. WGBH is a public station, named after the Great Blue Hill. WCRB stands for Charles River Broadcasting, and it’s a commercial station.

WCRB has in recent years been derided as “Classical Lite.” Playings of Beethoven’s 6th Symphony and Vivaldi’s The Four Seasons have become a bit too frequent, and during “drive time” no complete works are played. But still, one can count on WCRB to be playing Classical music, even when WGBH switches to Jazz in the evening.

Earlier this year, WCRB was sold. The business dealings were a little complicated, and if you want to read about them, click here. The upshot is that today at noon, WCRB swapped frequencies with a Country music station, WKLB at 99.5. WCRB is now broadcasting over an antenna that’s not west of Boston, but north, near the New Hampshire border, far away from the Charles River. The general consensus is that WCRB is the loser in the deal, but we’re lucky it’s still a Classical format.

The recording on the audio player below is from the FM tuner in my computer. I shortened the gap of dead air between the end of WCRB and the start of WKLB, but otherwise this is how the rather abrupt end of an era sounded today in Boston. If you know the piece of music that WCRB used to close its 52 years at 102.5, you’ll get the sly and wry joke.

[audio:http://www.dograt.com/Sounds/Wordpress/DEC06/FM1025.mp3]

Chipmunks Revealed

His name was Ross Bagdasarian, but he called himself David Seville. When I was a kid I wished my voice could sound like his.

But at the time I didn’t realize that the other voices I heard on his records and his TV show — with the singing chipmunks Alvin, Simon and Theodore — were also his.

On the audio player is a fun and familiar Christmas song. Let it play through, then listen to it again when it starts playing automatically a second time. A simple, cheap and appealing effect.

[audio:http://www.dograt.com/Sounds/Wordpress/NOV06/Alvin.mp3,http://www.dograt.com/Sounds/Wordpress/NOV06/Chipmunks.mp3]

Holiday

I’m taking a break from my bloggin’ holiday to play DJ again — hey, it’s how I used to make my living, such as it was. Here’s Green Day’s “Holiday” (not to be confused with the Kinks’ song) from their superb “American Idiot.”

[audio:http://www.dograt.com/Sounds/Wordpress/NOV06/Holiday.mp3]

That CD should have been enough to defeat George Bush in the ’04 election. I give Stephen Colbert credit for finishing what Green Day started, winning back Congress from the GOP, and setting this ship we call the USA on a different course. The old one-two punch of anger and humor!

Common People

A couple of years ago I became quite taken with the song “Common People,” by a British band called Pulp. I had never heard it until my sister Marianne gave me a CD for Christmas that included a surprisingly effective remake by the unlikely pair of William Shatner and Joe Jackson. Hearing that made me want to seek out the original.

Although my upbringing was decidedly middle class, not working class, I can definitely relate to having a girlfriend in college who made me feel as though she was slumming just by going out with me.