I’m just some guy who’s blogging as a hobby, so it’s interesting to check the month-end numbers. Excluding all traffic from home, and rounding down to be conservative, in October there were 92,000 hits on DogRat.com from 4900 unique addresses.
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Time For Beany, 1949
Mr. BCL commented that he loves the ‘Time For Beany’ puppet show. Here’s episode 50, from November, 1949.
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Mark Evanier has some excellent background on Bob Clampett and ‘Time For Beany,’ that you can read by clicking here.
The picture shows two legendary talents — Daws Butler and Stan Freberg — performing in ‘Time For Beany’. Note the excellent drawings of feminine figures on plywood, in the lower left corner. These were, I assume, done by Bob Clampett, who was a fine draftsman.
Robert Ghoulet
No offense to the recently deceased intended, but it’s Halloween, and I couldn’t resist that bit of wordplay. And further, I admit that I didn’t come up with it; my buddy Dennis did, so blame him!
To read a story Mark Evanier has about the time he met Robert Goulet, click here. It seems there’s almost nobody, in showbiz anyway, who Evanier hasn’t met at least once. In this instance, there’s a punchline coming to the story that he won’t tell until somebody else passes away.
[audio:http://www.dograt.com/Audio/OCT07/TheImpossibleDream.mp3]Alfred Hitchcock’s First Anthology Show
Happy Halloween! I first became aware of master of suspense Alfred Hitchcock from a parody of him on The Flintstones. I knew they were making fun of somebody, but I didn’t know who.
In this droll dual takeoff of Alfred Hitchcock Presents and the Hitchcock feature film Rear Window, Fred is unnerved by his new neighbor Alvin Brickrock, a short, squat Britisher who can be heard arguing with his harridan of a wife. Then, one night, the arguing stops suddenly–and not long afterward, Mrs. Brickrock disappears. These and several other ominous incidents lead Fred and Barney to conclude that Alvin Brickrock is actually the notorious wife slayer Albert Bonehart. The satire is played to the hilt, concluding with Mr. Brickrock bidding the audience a fond “Good ev-e-ning.” ~ Hal Erickson, All Movie Guide
Hitchcock was a unique personality, being equal parts artist, craftsman, impresario, and businessman. In 1940, long before his anthology TV show of suspenseful stories began in 1955, Hitchcock directed a radio adaptation of his British film ‘The Lodger,’ which is available for your listening pleasure on the audio player.
[audio:http://www.dograt.com/Audio/OCT07/TheLodger.mp3]Showcased on a program called ‘Forecast,’ Hitchcock was helping audition what would later become the premier radio anthology series of suspenseful stories. It was called, aptly, ‘Suspense’, and it ran for 20 years, ending in 1962 as one of the very last radio drama programs.
Short, Sweet Perfection
Caught the Buffalo Springfield song “On The Way Home” on Music Choice. Or should I say it caught me. Written by Neil Young, sung by Richie Furay, under two and a half minutes. Flawless. Music progressed so far, so fast in the 60’s. I’m so glad I was there to hear it happen.
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Charles M. Schulz, An American Master
You watched American Masters: Good Ol’ Charles Schulz, didn’t you? Good! I think it strikes an excellent balance, portraying the artistic man, the family man, and the inner man in equal portions. I don’t completely buy into Citizen Kane being a significant theme, let alone an obsession, for Schulz — I love the movie myself — but overall I found the documentary to be positive, informative, and poignant. I was particularly taken with Donna Wold’s description of a conversation she had with Sparky when he called her in 1970.
I was pleased to see how throughout the program there was always a return to an emphasis on Schulz at his drawing board. The simple act of putting pencil and ink to paper was, after all, what the man loved to do, and it’s the reason he’s worth the attention he is receiving. Congratulations to writer-director David Van Taylor for his excellent production.
Two of the Schulz offspring, Monte and Amy, have had very little good to say about the David Michaelis biography of their father, and Jill has gone on record as agreeing with them. Michaelis appears in Good Ol’ Charles Schulz, and reading his book I can see that he does tend to fancy himself a psychoanalyst, and he’s consistently negative where he could have been more balanced. I feel that David Van Taylor found that balance in Good Ol’ Charles Schulz, so I’m a bit surprised that Monte and Amy aren’t mostly positive about the program.
Over at the Cartoon Brew blog you can read Amy and Monte’s comments about the book. My buddy Dennis has pulled their entries out of the comment thread. If you see a “more” link, click it to read them, otherwise keep scrolling.
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