Pretty faces for Marvel Comics

I missed the Valentine’s Day deadline for this post, but here it is anyway.

I became a comic book fan when Batman appeared on TV in January, ’66. After reading only DC titles for a few months, I started reading Marvel Comics. My first two favorite Marvel artists were John Romita Sr. and Gene Colan. Jack Kirby and Steve Ditko’s drawings were, well, scary, when I was ten. It was Joe Sinnott’s clean and friendly style of inking that made Kirby approachable for me.

As Kirby progressed creatively and artistically, paradoxically he seemed to lose his ability to draw attractive people. Women in particular. Were they noble? Yes. But pretty? Not so much. Ditko’s characters looked so outright strange that he almost seemed to be conveying an innate misanthropy.

I don’t know if Stan Lee was inspired by Roy Lichtenstein’s swiping of romance comic book panels, but he brought in Romita and Colan, who had been drawing love comics for DC. I think Romita and Colan deserve a lot of credit for the way they broadened the appeal of Marvel Comics, starting in the mid-60’s. They learned how to draw the dynamic action scenes that Stan wanted, while making it possible for him to better develop the soap opera elements of the stories. Never underestimate the power of a pretty face! Later, when John Buscema came back on board, I think the writing was on the wall for Kirby. After Stan assigned Buscema to illustrate the premiere issue of ‘The Silver Surfer’ in 1968, Jack’s departure from Marvel was inevitable.

Courtesy of D.F. Rogers, here is an excellent example of John Romita’s work at DC. It’s from ‘Young Romance’ No. 134, Feb-March, 1965. Go to the Gallery and read, “A Ticket to ROMANCE!” And be sure to read the love letters page.