Category: Joltin’ Joe Sinnott

The late, great Marvel Comics Legend, Joe Sinnott

Fans in the fold-in

There was a 2-day comic book con in Boston this weekend. Three stalwarts of MAD Magazine were there — Al Feldstein, Al Jaffee, and Paul Coker. After writing and/or drawing many memorable stories for Bill Gaines at EC, Feldstein was MAD’s editor for almost 30 years, throughout its heyday.

Jaffee is famous for his fabulous back cover fold-ins. Click here to see some interactive Jaffee fold-ins, presented by the NY Times. Jaffee is also known for his Snappy Answers to Stupid Questions.

Prolific Paul Coker’s unmistakable drawings appeared in many pages of MAD, but he’s perhaps best known for designing the animated Frosty the Snowman cartoon.

I spent most of my time at the convention today sitting at Joltin’ Joe Sinnott’s table, helping with requests for autographs and sketches, while his son Mark made the rounds and Denro procured old comics, including one from 1951 that he found, with Joe’s second ever appearance in a Marvel (then Atlas) comic book. This scan is of Joe’s inking on Steranko’s famous centerfold splash page in Captain America #111 (March ’69).

A guy named Joe

Mark Evanier has a post with this video interview with the great Joltin’ Joe Sinnott, the finest ink man there ever will be in comic books. Original art that has been graced by the Sinnott touch is a thing to behold.

Interview with comics legend Joe Sinnott, Part 1 from The Comic Archive on Vimeo.

Joe talks about the work his son Mark has done cataloging all of his published work. Denro has done a lot to find copies of all those comics, including Joe’s unsigned stories, for Joe and Mark.

Joe goes into some technical detail about his preferred tools of the trade, which is a treat for me, a wannabe cartoonist from long ago. Joe has praise for the former quality of Strathmore paper, which used to be made at a now-closed mill on the Westfield River, in Massachusetts. Knowing that comic books were drawn on Strathmore paper was one of the reasons why I decided to attend Westfield State College.

Here I am in Joe’s home studio, where he produced the finished art for some of the finest Marvel Comics ever done. I’m holding up two Alley Awards that Joe won for his work on the Fantastic Four.

Home, Cold Home

There’s still no electricity at home. The utility company says it should be back on by Wednesday night, but if it isn’t we’ll be looking for a hotel room. I’ve got the fireplace going in the evening, and I can run space heaters off the portable generator. I have a 5-gallon gas container, but I wish the generator’s tank were bigger. We have oil lamps, and they work great. I can see why sperm whales were hunted to near extinction before petroleum took over. My GE Superadio III, 17 years old, has been our primary source of entertainment.

Compliments of great guy Mark Sinnott, here’s a follow-up pic from the Albany Comic Con, with me on the right, with Denro and Joe Sinnott. Men with caps! As always, I make a point of not looking directly into a camera flash, which is painful for somebody who has lattice degeneration.

Albany Comic Con

After a harrowing drive in a freak snow storm last night, especially nerve-wracking when going through the Berkshires, Denro and I are in Albany for a comic book convention. These one-day shows are nice because they’re small and manageable. Joltin’ Joe Sinnott is here, and this is a picture of Denro with Joe.

Dennis is holding the original art to page #19 of Fantastic Four #46, the third issue of many that Joe inked over Jack Kirby’s pencil art. Technically, it’s the fourth issue of FF Joe handled because he had inked ish #5, before leaving Marvel for a while when he was under contract with Treasure Chest comics.

The power is out at my house and at Dennis’ too. I’m told there is a large tree down that’s blocking my street. It’s a dead end, so I’ll be returning to a dark, cold house in a neighborhood I can’t leave!

Happy Birthday, Joe Sinnott!

Marvel Comics art legend Joltin’ Joe Sinnott is 85 today. Hover over the picture to see Joe “back in the day,” as he likes to say. The thing about Joe is, looking at the artwork he does now, there’s no “back in the day” about it, because it’s as perfect as ever.

I didn’t start collecting comic books until early 1966, after the Batman TV show premiered, so I’d missed a lot of great Sixties issues and I really appreciated comics with reprints (although later I was dismayed to learn the artists and writers received no reprint royalties). Marvel Tales #10, September ’67, reprinted the Thor story from Journey into Mystery #92, May ’63. That was the first time I saw art that Joe had both penciled and inked. From that I was able to get a better appreciation for what Joe did to give Jack Kirby’s forceful Fantastic Four art such an attractive and clean appearance.

For much better printing quality than this scan from Marvel Tales #10, I recommended The Mighty Thor Omnibus, Vol. 1, which I was happy to get for my birthday. I don’t know how much of the book was taken from original art, but this particular story sure appears as though it was.

Joe will be appearing at the Albany Comic Con in two weeks, Sunday, October 30, and you can be sure Denro and I will be there!