Category: Joltin’ Joe Sinnott

I missed the Valentine’s Day deadline for this post, but here it is anyway.

I became a comic book fan when Batman appeared on TV in January, ’66. After reading only DC titles for a few months, I started reading Marvel Comics. My first two favorite Marvel artists were John Romita Sr. and Gene Colan. Jack Kirby and Steve Ditko’s drawings were, well, scary, when I was ten. It was Joe Sinnott’s clean and friendly style of inking that made Kirby approachable for me.

As Kirby progressed creatively and artistically, paradoxically he seemed to lose his ability to draw attractive people. Women in particular. Were they noble? Yes. But pretty? Not so much. Ditko’s characters looked so outright strange that he almost seemed to be conveying an innate misanthropy.

I don’t know if Stan Lee was inspired by Roy Lichtenstein’s swiping of romance comic book panels, but he brought in Romita and Colan, who had been drawing love comics for DC. I think Romita and Colan deserve a lot of credit for the way they broadened the appeal of Marvel Comics, starting in the mid-60’s. They learned how to draw the dynamic action scenes that Stan wanted, while making it possible for him to better develop the soap opera elements of the stories. Never underestimate the power of a pretty face! Later, when John Buscema came back on board, I think the writing was on the wall for Kirby. After Stan assigned Buscema to illustrate the premiere issue of ‘The Silver Surfer’ in 1968, Jack’s departure from Marvel was inevitable.

Courtesy of D.F. Rogers, here is an excellent example of John Romita’s work at DC. It’s from ‘Young Romance’ No. 134, Feb-March, 1965. Go to the Gallery and read, “A Ticket to ROMANCE!” And be sure to read the love letters page.

Joe Sinnott is the best ink man the comic book business has ever had. Most of Joe’s work, even the earliest of it, is instantly recognizable to fans, but there are exceptions, including hundreds of pages of Archie comics that Joe inked anonymously in the 70’s. Good, ol’ Denro has been painstakingly finding these issues and forwarding them to Joe’s son Mark.

http://www.joesinnott.com/home/othercomics.html

Last weekend, D.F. Rogers was at the NY Comic Con. The big surprise was seeing Gene Colan there. Last May and June, Gene was at death’s door, but Gene is still with his family who love him and his fans who admire him, and for that we are all grateful. Dennis sent some photos from the show, with captions.

Gene Colan checking out something I acquired at the convention — a page of original art from Captain America #117, penciled by Gene forty years ago. This is the issue that made me a Marvelite and True Believer!

---

Joe Sinnott holding the page from Captain America #117. Joe didn’t ink Gene Colan often enough, but this was one of their best (and earliest) collaborations. Joe said that he loved to ink Gene’s pencils because he could do a lot of brushwork on those patented Gene Colan shadows. Two of my all-time favorite artists — and people! I never fully realized until recently that they, along with the immortal Stan Lee, produced the issue that hooked me on Marvel Comics!

---

Gene Colan and D.F. Rogers at the 2009 New York Comic Con. It was a dream come true to see Gene back at the Convention after a one year absence due to health issues. He had a steady line of admirers who stopped by to say hello and get their art or comic books signed by Genial Gene.

---

Joe Staton and D.F. Rogers with two pages of art that I purchased from Joe. Archie published a four part “modernization” of Jughead last summer – with art by Joe Staton and Al Milgrom. This is the first page splash and the last page splash — fun stuff! It just came out a few weeks ago in a trade paperback and the art is reproduced much better there than in the original “digest” sized issues.

Thanks, Den! That reminds me. I have a couple of pictures of my own to show, from the NY convention back in November. Here I am holding the original Iron Man art to the cover of the Marvel Comic Tales of Suspense #93, drawn by Gene Colan. It could be mine — for only $42,000! I’d be tempted, but Eric starts college the fall of 2010.

I’ve always had a particular fondness for that comic book. Here’s a cropped, high-resolution panel scan from a page of the TOS #93 interior original art. Ya gotta click to enlarge it, y’know…

… and this is artist David Lloyd, who illustrated Alan Moore’s famous political thriller “V for Vendetta,” which was later made into what I think is pretty darn good movie.