“As I’ve mentioned, I was recently the victim of a robbery — and what really hurts is that I know who did it and it was someone I trusted a lot and not for a short time.”
— Mark Evanierhttps://www.newsfromme.com/2026/04/07/more-about-the-missing-masterpieces/
A robbery implies the theft occurred while Mark was present. I’m thinking it’s probably more likely that he is the victim of a burglary, committed while he was away at WonderCon.
Denro and I were college kids when we met Carl Barks fifty years ago, at a Newcon in Boston. We’re now only about five years away from the age that Barks was then! Who was Carl Barks?
I had no idea DC was doing this, just had dinner with Zardsky a couple of weeks ago, will never look at him the same way again!!!
— Colleen Doran
https://www.amazon.com/MAD-About-DC-2026-ebook/dp/B0GSSQKXQ8/
Here are the two most notorious credit-grabbers of their respective fields, Stan Lee and Bob Clampett, in a brief interview together, fifty years ago.
Yesterday’s Crankshaft comic strip is one to put a smile on Silver Age comic book fans. I’m always pleased to know there are comic strip artists who are comic book fans.
https://www.gocomics.com/crankshaft/2026/03/22
The comic book that’s referenced is Green Lantern #19, from 1963, with cover art by Gil Kane (pencil) and Murphy Anderson (ink).
https://dc.fandom.com/wiki/Green_Lantern_Vol_2_19
I was pleased to see the credit card expiration dates for licensing comics on GoComics have been updated. Previously, 2028 was the last year that was accepted, and the one credit card I have that worked is about to renew.
The copyright information wasn’t included along with the image, so I had to compose it, based on previously licensed strips.
Copyright details for your order are as follows: * There can be no changes, deletions or additions to the material. The feature cannot be used in connection with the advertising and/or promotion of this publication. Thank you for your interest in Andrews McMeel Universal. Please let us know if we can be of further assistance. Thank you, AMU Licensing Team
If you follow the link to the GoComics page, you will see that I didn’t change the strip but I did modify its presentation. Making it vertical was, I felt, essential for its viewing here.
This week’s issue of The New Yorker has an ad from the Gagosian Gallery, promoting an exhibition of what appear to be abstract, rather than representational, paintings by Roy Lichtenstein.
https://gagosian.com/exhibitions/2026/roy-lichtenstein-painting-with-scattered-brushstrokes/
It’s interesting the works come from the Lichtenstein family collection. Have they never before been offered for sale? They’re nothing like the so-called Pop Art paintings that made Lichtenstein famous. Those were based on comic book panels he had selected, many of them from DC titles in the romance genre.
This is a good opportunity to watch the documentary Whaam! Blam! Roy Lichtenstein and the Art of Appropriation. It was based largely on the research of David Barsalou, who graduated from Westfield State a year ahead of me. Our art history instructor was Barbara Harris, who is now a friend of mine.
As you can see, I can’t embed the video. If I could embed it, there would be no commercials. Sorry to say, you’re on your own.
